A Quote by Ricky Gervais
I think doing something creative is the most important thing to me, and I think it's probably just good for the soul for anyone, whatever it is. You don't have to be a film director - you can do gardening or something - but I think everyone needs to create something.
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I think what's important for myself and anyone else who wants to create a film, or art, is [to] make sure that they have something to say, that they want to share something important, express something important.
I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.
I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.
I think that for the actors, the last thing that they want is a director that's not watching, a director that goes 'Okay, it sounded good to me,' and they were doing something else or preoccupied with something else because they were worried about the light changing.
I usually work with the director and it's just a collaboration between me and the one person. I think you make good movies that way. If the director and the composer can have this common goal and this excitement about making something great, then you're going to do something good.
I think that anyone who is in any way creative or is creating something, whether an architect or fashion designer, I think if you have the opportunity to create something that is fully you, it frees your mind and your spirit and gives you the opportunity to really find yourself.
I think it's vital to be honest with yourself. You do have to satisfy yourself first. If you're drawing something, you have to ask yourself if it's something you genuinely think is funny. Or is it starting to fall into just a category, just kind of a shtick thing? I think it's important for all cartoonists to be honest with themselves about their own sense of humor and what they're doing.
It doesn't matter if they're famous or not - I just want to meet other creative people who can maybe bring something different to the studio than what I have. I think that's the most important thing for me.
I think there's a deep impulse in most humans to do creative stuff, whether that's music or art, photography or writing. Most people at some point in their life say they want to do something creative - they want to be an actor, a director, a writer, a poet, a painter or whatever.
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
Most of the time for me, you're learning what not to do, as opposed to what to do. You never know what to do. I don't, especially in a work environment. You have a little formula yourself. But when I see a director do something I think, whatever he or she just said totally screwed that actor up and now they're worse. I'm never going to do that. I'm going to figure out something else. I want my movie to be good. And that's how it works.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
I think coming off of "Blame", I've been talking a lot about directing. It's something that I really love and connect with. I truly consider it what I was born to do. That kind of loops in with filmmaking on the whole, because when you create something, you're also wearing a lot more hats than just director. At the same time, I also think acting is something that's very powerful in my life.
The most important thing to a lot of people, is to belong to something that's hip or whatever. To be a part of something that's not society, just a clique. And they get real sidetracked trying to think like everyone else. They don't realize that you have to motivate yourself to do things you want to do. Some people just like going along for the ride. And those are the kind of people I don't get along with too well.
I think that so much of the creative process is a fragmentary one, and then it's about just allowing your intuition to put it together for you. It's funny how you create something and you think you're going in a million different directions, and then the thing you end up with is the thing that you wanted to create your whole life, but you're just as surprised by it as anybody else.
I think the wonderful thing about doing theater is that it's more of an actor's medium. I think that film is more of a director's medium. You can't edit something out on stage. It's there.
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