A Quote by Ricky Gervais
I'm quite squeamish, really. I'm philistine and unsophisticated - not because of my great discerning palate but other reasons. Some are moral grounds, some texture.
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A fastidious taste is like a squeamish appetite; the one has its origin in some disease of the mind, as the other has in some ailment of the stomach.
Looking back in retrospect, there were some great moments working with some great people, ... I don't know quite how to put it into words. I don't look at it quite the same way other people do.
I started to shed the monstrous aesthetic affectation of my youth so as to make room for the monstrous philistine postures of middle age, but it was some years before I was bold enough to decline an invitation to "Hamlet" on the grounds that I knew who won.
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
I don't mind people putting us down, because if everybody really liked us, it would be a bore. You've got to have people putting you down. It doesn't give any edge to it if everybody just falls flat on their face saying, "You're great." We enjoy some of the criticisms as well, they're quite funny; some of the clever criticisms, not the ones that don't know anything, but some of the clever ones are quite fun.
To those who have lived long together, everything heard and everything seen recalls some pleasure communicated, some benefit conferred, some petty quarrel or some slight endearment. Esteem of great powers, or amiable qualities newly discovered may embroider a day or a week, but a friendship of twenty years is interwoven with the texture of life.
There are three types of palate. There's the palate that can't taste anything, there's the normal palate, and there's the Super Palate. I don't think I've got a Super Palate, but it's pretty good.
Let's start with some of the reasons that the press holds its tongue and some of the things that you don't know because of this. We'll begin with squeamishness, prudishness, timidity and an overdeveloped fear of offending someone... So much for squeamishness and prudishness. There are many other reasons that we editors fail you in this pact you and we have. Let me name a few more: Orthodoxy, conventional thinking, a misplaced pleasure at being on the inside, incompetence and laziness.
Adding throws or blankets that have great texture over the back of a sofa adds some interesting personality really quickly and will visually change the room.
I didn't have a childhood, really, because I worked my whole life and... other reasons. So when I had some success, I went ballistic. That was my childhood, and the party kept going on.
Among the reasons that you go into journalism, I suppose, are some rather idealistic, even foolish reasons. In my case one of the reasons was I wanted to explain how things really work, how political power really works.
It’s a small story really, about, among other things: * A girl * Some words * An accordionist * Some fanatical Germans * A Jewish fist fighter * And quite a lot of thievery
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I saw a ghost when I was staying at Dartington Hall in Devon in the 1960s. I think there are many different kinds of entities, some are scary and some aren't, it depends on the state of mind you're in when you are confronted. I found that quite scary because it appeared when I was asleep, so it was quite a shock, but the other ones I've encountered, I didn't find scary. I have a lot more understanding of them.
Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
I cringe at backstory. Because it never quite explains or gets into some psychological thing that is never quite right and never quite the truth and who knows why someone is some way.
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