Though I do believe that when you live in political times it is inevitable that your art be political, I also think we need to start making activists celebrities rather than trying to make celebrities to be activists.
If my pictures are about anything at all, I think it's about trying to make a connection in the world. I see them as more optimistic in a certain way. Even though it's very clear there's a level of sadness and disconnection, I think that they're really about trying to make a connection and almost the impossibility of doing so.
I like to make jokes; I consider myself a funny person. I just think making jokes about people who are in a situation beyond their control is not funny to them or their families.
People think making jokes about something is just going to cause trouble. But actually, not making jokes about something is a type - and this sounds very pretentious - of apartheid.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
Don't think about making art, just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they are deciding, make even more art.
When you think about alien intelligences making art, you then have to think about what art is and how bound up it is in the nature of consciousness. Why do we make art? And what can we expect to have in common with other creatures in universe?
I think there are brilliant jokes to be made about abortion, and we should be able to talk about this in the way that we make jokes about death - you should be able to make jokes about everything.
I decided that instead of making jokes about politics, I need to take part in it, and therefore, I can't make jokes and participate.
I think you make better jokes when you don't break logic for the joke, unless you make a movie just about jokes.
I personally don't feel any pressure to make jokes about multiple baby-fathers and stereotypical black jokes, because one, that's just not my life, and two, I wouldn't even sound right talking about those things.
I don't write jokes first. I write down topics. I think of what I want to talk about, and then I write the jokes - they don't write me... And even if you don't think it's funny, you won't think it's boring. You might disagree, but you'll listen. And maybe even laugh as you disagree.
I have to say, Alejandro Colucci is amazing. I had seen his work several times before I started making the connection between the art and the person making it, and when I heard that he was going to work on the cover for 'Seven Forges,' that connection was not yet cemented.
Society is celebrity-based and we are determined to use [celebrities'] voices to make sure no one forgets there are issues over the use of animals. Celebrities can be great for our cause and can really make people sit up and think for the first time about animal abuse.
All I do is have fun. When I'm not working, it's about making people laugh. I love making jokes about things. Even when someone's mad at me, I'll deflect anger with humor. My days are filled with laughter. If I'm not laughing, I'm not happy.
In a weird way, it's not different from any other kind of joke-telling. You make those calculations about jokes about celebrities: is this a fair hit or not? The stakes were higher because the whole world was crumbling around us, but in terms of joke-telling, it's all about feel.