I wouldn't consider myself a traditional sitcom actor or someone you'd even think would be in a sitcom.
'Caroline In The City' was such an interesting thing, because I'd never been on the set of a sitcom or even auditioned for a sitcom when they gave me that part.
In Mexic,o the concept of a sitcom doesn't actually exist - even if you do a sitcom, technically speaking, because it airs from Monday to Friday, they put it in the telenovela category. But, of course, I am from Mexico and grew up with the telenovela culture.
I didn't want to have to follow 'Everybody Loves Raymond' with another sitcom. Let it be my sitcom legacy, and leave it at that.
Sitcom hours are silly easy compared to drama. Whenever an actor on a sitcom complains, I feel like smacking them!
In 2010, I was the star of a sitcom. It came and went pretty fast. But in the months from when I was cast in the sitcom through when it was done airing, my life did change remarkably.
My desire for my own sitcom began as a little girl - I spent hours lying on my belly on the shag carpeting getting lost in the world of the '70s sitcom. All I wanted to do was run away to the Brady house, The Partridge Family bus; even the project on 'Good Times' seemed better than Clark, NJ.
Every comic is taught that you're supposed to have a great seven-minute set and then get a sitcom. And I don't want to get the sitcom.
I always try to use my medium, and if I get into a normal sitcom-writing contest with normal sitcom writers, I'm going to lose.
The film is better for me than the sitcom. But the sitcom is like much more practical approach, if I may say that, because of the cost. Everything costs money, a lot of people don't realize that.
After meeting the family, they really felt like a sitcom family, ... I thought it would be cool if we did a reality show, but told it with the visual language of a sitcom format.
Well, usually, when you're doing a sitcom, you get a script and every word or for the most part, is written. So, you know, if it's a 30-minute sitcom, then it's a 35-page script or something like that.
The difference between doing a live show and a sitcom is that a sitcom can live on. If you do it well, it can leave a legacy, whereas most of our live work never gets repeated because it's final, it's done, you start again.
When I came out to Hollywood in 1985, I thought that I would be sitcom star. I'm a tall, skinny, goofy guy. I thought that I would make a great funny neighbor, or wacky office mate, in a sitcom.
I'm enjoying Channel Four's '10 O'Clock Live.' I like the idea of putting together a dream team and seeing what happens. I also like 'Not Going Out,' the sitcom starring Lee Mack. It's a sitcom packed with jokes. Not many of them as frowned upon as lacking kudos.
I'd like to explore the more abstract side of people's minds, as opposed to the usual sitcom stuff. I don't want to do the typical sitcom-type humor. I'd want to do stuff like go bowling with pineapples.