A Quote by Ricky Hatton

My style appealed to people. That's why I had the fanbase. — © Ricky Hatton
My style appealed to people. That's why I had the fanbase.

Quote Topics

Ring of Honor fanbase is so real and so true. It's like an NXT fanbase; it's the same fanbase. You can't just feed them crap.
There will always be people who irritate you, inside and outside of any fanbase. That's not a fault of the fanbase, it's a fault of people, and we're all guilty.
You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.
Hitler's oratory moved people and appealed to their hopes and dreams. But his speeches malevolently twisted hope into some gnarled ghastly entities, and appealed to the latent, darkest prejudices of Germans.
I know a lot of people feel pressure with their major label sophomore CD and having to follow up their first record real good. Well, we didn't have that pressure, because we have a real loyal fanbase, not a fanbase because we're on the radio, know what I mean?
I have a fanbase, and I have a large fanbase, and there's a lot of people that like me, and there's a lot of people that support me, and there's a lot of people that can relate to me.
I remember getting hit in the ribs when I was on about eight or nine in my first game, and everyone rushed over, quite concerned. The umpire said to me afterwards, 'If anyone had appealed I would have had to give you out LB!' I ended that innings about nine not out off about 15 overs. I was already digging in - Yorkshire style.
When I started in comics, people were always trying to classify me as either/or. Either a writer who appealed to women or a writer who appealed to guys. This need to categorize was just exhausting.
I would never stop watching film. The reason why I say I like the old ones is I like the subject matter better. I thought they had more variety to them, they had more romantic comedies and things that appealed to me more.
As a kid, I had a Beatles poster and a Bela Lugosi as Dracula poster, so both worlds always appealed to me. Horror allows you to do things as a composer than you're able to do in no other style of movie. The music has to be aggressive. You can't tiptoe around. It has to be incredibly focused dramatically - no time for second thoughts.
If you can change style, why stick to one style? Style is a vanity because it gives you product identification.
All literary style, especially national style, is made up of such coincidences, which are a spiritual sort of puns. That is why style is untranslatable.
People said when I started, 'Why don't you just copy your father's style?' I had to be myself, singing my songs in my own way.
I was the only human in 'Underworld.' I didn't really get the full gauge of what it is to be in a sci-fi/fantasy project. But 'Almost Human' presented that opportunity for me and the fanbase that is in that world at Comic-Con and, honestly, cons all around the world - you can't deny the power of that fanbase.
I had no style when I was 17! I look at teenagers now and say, 'I wish I'd looked like them when I was that age.' I had no style whatsoever, but style also wasn't as prominent as it is today. I was just very laid back, usually wearing jeans and tank tops and flip flops.
I think there is some resistance when people talk about ethical fashion, and a tendency to panic that if you're bringing a moral agenda and highlighting the origins of the garments, you can't incorporate style. But there's no reason why style and conscience can't co-exist.
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