A Quote by Ricky Hatton
You know if you want to be a boxer the first time you get hit on the nose.
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I was a really good youth boxer, and I enjoyed the sport very much. Once I actually started to play the trumpet, it is very similar to boxing. Most of the great trumpet players boxed: Miles Davis was a boxer, Wallace Roney is a boxer, Terrence Blanchard is a boxer. In a boxing ring, no one can help you. It's just you and the other guy, and your job is to get him out of there, to outscore him in the best sense of it. When you learn to box, the first thing they teach you is to protect yourself at all times, and some people also learn that they like being hit.
Getting hit is part of the job. You don't want the first time you're getting punched to be in the fight because there's a lot of shock and awe and you won't react well. I like to get hit in sparring. I don't want to get concussed, or I don't want to be getting knocked out, but I want some shock treatment to prepare me for the fight.
I'm a boxer who believes that the object of the sport is to hit and not get hit.
I would be more wary of boxing a pretty boxer than I would one that looks like they have been bashed up a bit because the pretty boxer obviously doesn't get hit - so that means they must be quite good!
Sometimes you get hit on the nose and nothing happens, then you get hit and something breaks.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
The first time I almost died was surfing: I got hit on the head with a board. I went under and started swimming until I hit the bottom of the ocean. I thought, 'Oh my God, I'm going the wrong way. Do I have enough air to get back up?' If you're a surfer, you know the feeling.
The most important thing, my father told me, which I have never forgotten, and which I have often put unto practice was: If you get into a quarrel with anybody, hit him first. "If you hit first, the battle is half-won," my father always said "Don't let him hit first. You hit him first." "What's more," he never forgot to say, too "Usually one blow is all you need." I found this to be true.
My father taught me, in boxing, that when you - particularly when you get hit in the face for the first time - you're going to panic. That instead of panicking, just accept it. Stay calm. And any time anybody hits you, they always leave themselves open to be hit.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
In baseball, I don't fraternize with players when it's time to hit. I'm preparing for the game. It's the most important time of the day. And I know if I don't hit, I won't have a job in the big leagues. That's why I tend to get very upset when people try to talk to me.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
Every time I step up to the plate, I expect to get a hit. If I don't expect to get a hit, I have no right to step into the batter's box in the first place.
I'm a huge tennis fan, so the game I play the most is 'Top Spin.' You really have to know how to play tennis to get good at this game - whether you want to hit a forehand or a backhand, when's the best time to hit a slice - it's so real.
Often by the time writers and producers try to get a new hit song, the industry has already moved on. Whatever you're creating might not be as hot as it would have been during the time of your first hit. It definitely compromises the creative process when the music is changing and evolving so fast. If you're not on top of it, you will be forgotten.
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