A Quote by Ricky Hatton

You write an autobiography because you want to tell people how you felt about a certain matter at that time. — © Ricky Hatton
You write an autobiography because you want to tell people how you felt about a certain matter at that time.
When you first start off, I know singers who have only been in the business just a short amount of time, and they've already written their autobiography. I didn't want to write it too soon. I wanted to live a while and write about things that I felt were important to me - growing up in Wales, and the characters that I met and listened to.
You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
For a long time, I couldn't tell somebody how I felt or I couldn't talk about my problems because I felt like I was complaining. Writing would help me or it would be like, I can't tell you how I feel, but I can play you a song.
I write about outsiders. I write about people who are outside and don't know quite how to get in because it's how I've always felt.
I won't ever direct a film. And I certainly won't write an autobiography. Only self-obsessed people want to write or talk about themselves!
I don't want people to feel like they have to state something in a certain way because so-and-so might be around on the site. It's nice when people have a forum to discuss things among themselves. If you had a certain special-occasion blog I could probably contribute...I normally post on my site if I'm writing about music, and if you have a specific issue you're addressing or you want me to write about certain topics, then I'd be happy to try.
I had said before that I'd never write an autobiography because I've been around, and there's a lot that I've seen and heard that stays with me. That's just mine. I didn't want to do a kiss-and-tell, as some of my peers have.
Siamese twins are interesting because they are the only people who can write a biography and an autobiography at the same time.
People are always going to tell you to lose weight, and they tell you how they feel about it. There are pressures always to be a certain weight, but you have to be who you are. And if you want to change, you have got to do it for you and not for what people want you to be.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
Well, when you write about people of a certain age ... we are in a postsexual situation. If I write about younger people then I write sexually, because their drive is sexual. It depends upon the circumstances.
Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing—I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
And then afterwards I worked in advertising for a year which taught me about writing even when you don't want to (laughter) because there's never a moment that you want to write about an Erickson cell phone but you have to. And that's really important you know obviously for the...like if you really want to write, you have to write every day no matter how you feel or you know. And then, yeah, and then I ended up working in TV and then from TV into movies and then directing, so.
My books serve as archives of thoughts and emotions, like a tonal history that captures how I felt at a certain time of my life. It's not very informational. You're not going to get comprehensive knowledge about the Han dynasty of China or about India's Emergency. But you might learn how one person felt about the Los Angeles Olympics.
The thing about writing is not to talk, but to do it; no matter how bad or even mediocre it is, the process and production is the thing, not the sitting and theorizing about how one should write ideally, or how well one could write if one really wanted to or had the time.
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