A Quote by Ricky Hatton

It's unusual for me to be in front of an audience without somebody trying to knock my teeth out. — © Ricky Hatton
It's unusual for me to be in front of an audience without somebody trying to knock my teeth out.
I've knocked my front teeth out. I've got fake front teeth.
That was the best part of the Pride guys - they'd go out and entertain. They'd either get knocked out or knock somebody out; they were always trying to finish the fight.
I'm always trying to bring unusual content to a different audience - a non-art-world audience.
You could knock my teeth out and break my nose, and there'd be something funny about it to me.
I've always had to conquer fear when I'm on stage. Basically, I was and still am a very shy person. It's absolutely in conflict with what I do. But once I deliver the first joke I'm okay. It's like I'm out there all by myself just delivering my lines to nobody in particular without ever trying to notice the audience in front of me.
I love Mike Tyson. I was a fan, as everybody else was. The moment somebody stood up to him, he didn't do so well. And that's the same thing with Anthony Johnson. The guy's a bully. He wants to intimidate you; he wants to dominate you. He wants to knock you out. But what happens when you don't knock somebody out? What happens?
In the past, the U.K. got away with selling things that weren't unusual. Now it's no use trying to export without having something that's unusual and better.
I shaved away my teeth and made them into little pencil points for nice teeth, that's kind of weird if you think about it. I was a notorious teeth-grinder, so all my front teeth became a couple millimeters shorter.
Here it comes," she said with an expression of pure bliss. "Drug rush ... any moment now ... the surge of warmth ... bye-bye, Mr. Pain..." "Vee-" "Knock, knock." "This is really important-" "Knock, knock." "It's about Elliot-" "Knock, knoooock," she said in a singsong voice. I sighed. "Who's there?" "Boo." "Boo who?" "Boo-hoo, somebody's crying, and it's not me!" She broke into hysterical laughter.
I will knock out Vernon Forrest in two rounds whether I have a cigarette or not. I know a lot of people want to see me fight more rounds. So, if HBO wants, they can pick two sparring partners for me to fight after I knock out Forrest. That way, the audience can see me fight 12 rounds.
I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.
I'm trying to run through you. I'm trying to make you feel everything that I'm bringing. That's the mentality you have to have as a running back. The defense is trying to knock the mess out of you, and I'm trying to do the same.
When you're missing your two front teeth, that's honesty. That is a door to your oral history. You're not covering anything up. You're saying, 'Hey world, I'm missing my front teeth. I'm gross; I'm dirty; I'm poor. I clearly have no problem with public urination and eating garbage. Don't come near me, I'll gum you to death!
I set out to become a comedian, and I said in order to do that the first thing I'll do is become a disc jockey and know my pop music. I like it, my voice is good, and I can start out getting confidence without an audience in front of me.
Something like 'Knock Knock,' I was trying to do a Joe Meek, 'Johnny Remember Me'-type thing.
The martial arts are ultimately self-knowledge. A punch or a kick is not to knock the hell out of the guy in front, but to knock the hell out of your ego, your fear, or your hang-ups.
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