A Quote by Ricky Jay

Magic is a powerful art that can support a weak performer. — © Ricky Jay
Magic is a powerful art that can support a weak performer.
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.
If the world held magic powerful enough to make the elephant appear, then there must exist, too, magic in equal measure, magic powerful enough to undo what had been done.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
Wasn't it Bertrand Russell who used the phrase 'The superior virtue of the oppressed'? There is always this temptation amongst people that see themselves as progressive, and on the side of the weak. They demonize the powerful, but over-romanticize the weak. I think we should recognize that. If you take seriously the idea that people are always going to use truth claims as a means of powering their own agenda, that is going to happen whether you're weak or powerful.
A country is considered the more civilised the more the wisdom and efficiency of its laws hinder a weak man from becoming too weak and a powerful one too powerful.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I believe that magic is art, and that art, whether that be music, writing, sculpture, or any other form, is literally magic. Art is, like magic, the science of manipulating symbols, words or images, to achieve changes in consciousness… Indeed to cast a spell is simply to spell, to manipulate words, to change peoples consciousness, and this is why I believe that an artist or writer is the closest thing in the contemporary world to a shaman.
In the sublime days before 11 September 2001, when the powerful were routinely attacking and terrorising the weak, and those dying were black or brown-skinned non-people living in faraway places such as Zaire and Guatemala, there was no terrorism. When the weak attacked the powerful, spectacularly on 9/11, there was terrorism.
It's a powerful thing to be able to write a song. Even the least powerful feeling - like insecurity - that makes you feel weak when you experience it, when you write about it, you are powerful.
My notion of art is very maximalist and souped-up: I love spectacle, overload, magic materials, magic words, incantation and litany, incarnation and possession, spilling and wounds. Art as a sacred event.
They say behind every successful man is a powerful woman. And there is no more powerful performer I would rather be in the ring with for a conversation than Stephanie McMahon.
No to spectacle no to virtuosity no to transformations and magic and make believe no to glamour and transcendency of the star image no to the heroic no to the anti-heroic no to trash imagery no to involvement of performer or spectator no to style no to camp no to seduction of spectator by the wiles of the performer no to eccentricity no to moving or being moved.
In magic we have a variety of "uses" for our art beyond magic itself, which reminds me of the notion of art therapy. The rendering of art inferior to therapy is an interesting one: interesting in the sense that it makes me want to vomit angrily.
In magic, man has to rely on himself. So, in religion, of course, you're looking for outside support but that's the appeal of magic.
I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.
Formerly, when religion was strong and science weak, men mistook magic for medicine; now, when science is strong and religion weak, men mistake medicine for magic.
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