A Quote by Ricky Jay
For me, the most exciting thing is to create good magic that's entertaining for an audience, and it would be lovely if a magician was fooled as well.
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To obfuscate the reconstruction of the effect - when a magician is fooled by another magician doing magic. In my career that's not been the major passion, but it's been the passion of a number of my mentors. The crowning achievement for them would be to create magic good enough to fool other magicians.
It's very exciting to take magic into a new direction, whereas a lot of times magic comes from a place of sort of ego, like, 'Look what I can do that you can't do.' It kind of comes across that way a lot, and you're always trying to challenge the magician; you're always trying to figure out how the magician is doing it.
For me, there is very little difference between magic and art. To me, the ultimate act of magic is to create something from nothing: It's like when the stage magician pulls the rabbit from the hat.
The greatness and efficacy of a magician is measured by his refusal to use magic. The true magician, the greatest, is the poorest and most unfortunate of all mortals. Because between his magic and his person forgetfulness takes shape, in the form of the world.
When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."
But magic, like everything else, follows certain natural laws. Magic needs energy wherever it can find it. If no other source of energy is available, it will take the life force of the magician who created it. That is why every use of magic weakens the magician.
I want to bring magic back to where it started, which is not about the props, and it's not about me as a magician: it's about the audience and playing with their minds and playing with their perception of magic and having fun with it.
When [the magician] clicks his fingers and cards change to the four aces, we know we have experienced sleight of hand. Real magic would not be quite that quick and easy. Real magic would take investment. Real magic would draw you in, and make you nervous.
I did a lot of magic shows growing up. My dad is a graphic designer so he helped me brand myself and create a logo. So I was just rollin' with the magician crowd for a while. But I was really young, 10 to 13, doing table magic and balloon animals at this Italian restaurant.
The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.
Can a magician kill a man by magic?” Lord Wellington asked Strange. Strange frowned. He seemed to dislike the question. “I suppose a magician might,” he admitted, “but a gentleman never would.
I have fooled life and life has fooled me. We are quits. I say good-bye. Think sometimes in the hour of happiness of your poor, comical fool who loved you truly and so well.
Magic has always been of a great interest of mine. I was an amateur magician when I was young. I used to practice and read up on it a lot. I'm well-aware of the history of magic.
I firmly believe that emotions are universal, and I know that when they connect with the audience, it works. There is no such thing as an entertaining or a serious film; there are good films and bad films. Good films will always find a vast audience.
When the audience enjoys your performance, you feel like a magician who is doing magic. It's a great feeling!
When you're learning how to do magic, the first rule is 'never reveal a secret.' In a way, by telling someone I'm a magician, it kind of gives away the best secret of all... How interesting to take the magician out of the equation of a magic show.
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