A Quote by Ricky Jay
I'm much more interested in lesser-known eccentrics and characters and performers. Like Matthew Buchinger, who was born in Germany in 1674, had no arms or legs and yet did magic, and had 14 kids, and made the most extraordinary calligraphy.
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I wish I'd known from the beginning that I was born a strong woman. What a difference it would have made! I wish I'd known that I was born a courageous woman; I've spent so much of my life cowering. How many conversations would I not only have started but finished if I had known I possessed a warrior's heart? I wish I'd known that I'd be born to take on the world; I wouldn't have run from it for so long, but run to it with open arms.
If I had known there was such a thing as Islamic Calligraphy, I would never have started to paint. I have strived to reach the highest levels of artistic mastery, but I found that Islamic Calligraphy was there ages before I was.
At this point, I don't care much where I live. I don't feel as attached to Russia's native woods as I was once. I used to dearly love Moscow, even though I wasn't born there; but now, it's changed so much that it's a strange city for me. I had a bond with my friends, but most of them are gone; I haven't made new ones, and the ones that I do have are mostly in Germany and in America.
My father went to college for drama in Pittsburgh, and so did my mother, and then my mother was a steadily working New York theater actress. They kind of quit when I was born. They did that for, like, 10 years before they had kids and then I was born and they were not into that lifestyle for kids.
My grandmother had six kids - one died as an infant - and she was dirt-poor, and all her kids got an education. And my mom grew up poor. And they both worked so hard and cultivated so much of their own happiness. I wanted to have that like an amulet. Not like armor, but like a magic feather. Like Dumbo's magic feather.
There were really a bunch of old, old magic hobbyists at the time, some of them who actually had known [Harry] Houdini. You had to be 14 to go to these meetings, and he snuck me in at 12. It was glorious.
I think I was one of those kids that, at the age of 13, start filling out a little bit: I was the kid that had the chest, the arms, the calves, especially, with these big legs like an adult.
There lived a redheaded man who had no eyes or ears. He didn’t have hair either, so he was called a redhead arbitrarily. He couldn’t talk because he had no mouth. He had no nose either. He didn’t even have arms or legs. He had no stomach, he had no back, he had no spine, and he had no innards at all. He didn’t have anything. So we don’t even know who we’re talking about. It’s better that we don’t talk about him any more.
I think I'm lucky that I had kids as spread out as much as I did, 'cause my son, my oldest, was born when I was 21. And my youngest is 15 now. He was born when I was 40, you know?
Everyone had legs. Even my younger sisters both had legs. It was hard to comprehend what I did wrong: Why me? Then I found out about the Paralympics. It really did completely change my life.
Did you know that Mozart had no arms and no legs? I've seen statues of him on people's pianos.
I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.
It is a well known and very important fact that America's founding fathers did not like taxation without representation. It is a lesser known and equally important fact that they did not much like taxation with representation.
she, with her affection and her gaiety, had been largely responsible for him having rediscovered the meaning of life, her love had driven him to the far corners of the Earth, because he needed to be rich enough to buy some land and live in peace with her for the rest of their days. It was his utter confidence in this fragile creature, that had made him fight with honor, because he knew that after a battle he could forget all the horrors of war in her arms, and that, despite all the women he had known, only there in her arms could he close his eyes and sleep like a child.
You get born and you try this and you don't know why, only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with strings, only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
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