A Quote by Ricky Reed

A lot of people say don't let bad vibes into the studio, but I love to. If you're having a bad day, write a song that feels like that. — © Ricky Reed
A lot of people say don't let bad vibes into the studio, but I love to. If you're having a bad day, write a song that feels like that.
I don't stress at all. When other people say, 'I'm having a bad day,' I ask, 'How can you have a bad day for the entire 24 hours, or even 12 or eight hours?' Something bad might happen, but that can't make the entire day bad.
I never think any song really feels like a 'hit' - a song either feels good or bad, in my opinion.
It's pretty funny to me when I hear people say, 'I write six songs every day,' or, 'I turn out a song a day.' I bet you that's a whole week of bad songs.
It's weird because when you initially write a song, you write it with no understanding that the world is maybe going to hear it one day. So when you go into the studio, you don't see the hundreds of people at a gig or the viewers on TV, you just write a song without any inhibitions or boundaries.
There's a lot of good fans out there, but there's also a lot of bad - I don't want to say bad people, but a lot of people who just want to try to get on your nerves and stuff like that, man.
If you're having a bad day the main thing on the mental side is realizing that I'm having a bad day and thinking about why and then just kind of re-prioritizing and saying, "I'm going to let myself have this bad day, but tomorrow I'm going to get back on track." That's pretty much it. We all have them. You do have to let yourself have them and then go within and figure out why you're having it and prevent it from happening again.
I love Ron Howard, he's a wonderful director, incredibly prepared. But I have to criticize my performance in that movie. It all took place in one day. My character was having a bad day, so she's having a bad day throughout the whole movie. But this was a comedy, and I think I was too serious, too dense. Yes, I think that describes my failure there.
If you have something to get off of your chest, there is a proper way to do it. Everybody has a bad day, and, for some people, you're under a microscope and you have to deal with the consequences of having a bad day in front of people. But everyone has them.
I do think that people leave 'vibes' behind, and the best that I can hope is that I leave a few good vibes, as well as the bad ones.
If you're having a bad day, get on with your job, because you having a bad day can affect everyone around you.
'Breaking Bad'... the beauty of it is, some people are always going to love 'Breaking Bad' more. But I run into people every day now who say 'Better Call Saul' is their favorite of the two. I love hearing that. I don't know where I fall personally on that scale, that continuum - I try not to choose.
After getting off Bad Boy and then finally getting on with the Ruff Ryders/Interscope deal, it was like being able to exhale. The studio sessions were a lot different than the Bad Boy studio sessions. Like, we were able to just do anything we want.
I don't play a lot of instruments so when it comes to the song writing process I don't have a lot to do with that. A lot of times it's just acoustic guitar and a small riff that produces a song. Ultimately you want to write a song that people are going to enjoy and that you love to play, most importantly you have to write it for yourself first.
There are always a lot of jokes and good vibes floating through the studio so tattooing all day doesn't feel like a job. It's rewarding to see my clients as excited as I am.
Studying James Fauntleroy, I learned it's okay to write a bad song. Just write another one the next day and hope that it's better.
I got the idea for the song 'Bad Company' when I saw a poster for the Jeff Bridges movie, and it reminded of an old Victorian picture that I'd once seen, and it said, 'Beware of bad company.' So I sat down at the piano and started to write the song.
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