A Quote by Ricky Reed

Don't do anyone else's version of a hit song - it's gonna sound terrible. You just have to do what you do well and crank it up to 11. — © Ricky Reed
Don't do anyone else's version of a hit song - it's gonna sound terrible. You just have to do what you do well and crank it up to 11.
Getting older doesn't help you in the fact that you might have covered some of this ground before. So you're listening to a song that you know is a hit, but it just can't be a hit for you, it's gonna be a hit for somebody else. That's tough.
I'm not the kind of writer that goes, 'I'm gonna write a song about sunshine,' or, 'I've just heard a phrase, so I'm gonna write that,' and then I write a song. I'll wait for inspiration to hit, and you can't depend on it.
Anyone that I've ever worked with, it's not like I just meet you or someone throws us together for the sole purpose of coming up with a song that's gonna be a hit. I have to have some sort of relationship, or we had to have interacted on some other sort of level and that's when it feels most natural.
We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
"The sounds of people drowning are something that I can not describe to you, and neither can anyone else. It's the most dreadful sound and there is a terrible silence that follows it."
I walk away from writing what I consider to be a good song - with a good character, a good story in it - with all I'm gonna really get out of that song. My greatest pleasure is to create it, not to record it, not to hear anyone else play it, though that can be nice too.
Of course, if you're gonna make a rap song, you're gonna want to sound like Melle Mel.
Like I can't cry for myself so I will let this song take all of the things inside I can't let anyone else see and offer it up, as if the sound were some kind of god, and my pain is some kind of sacrifice.
Because if we make the wrong choice, then the danger is that we'll get hit again, that we'll be hit in a way that will be devastating from the standpoint of the United States, and that we'll fall back into the pre-9/11 mind set if you will, that in fact these terrorist attacks are just criminal acts, and that we're not really at war. I think that would be a terrible mistake for us.
A lot of artists go in the studio and say, 'OK, whaddaya want me to do? Is it gonna be a hit? I'll do it. Is it gonna get played on the radio? I'll do it.' So they start makin' these songs, and they fall in the same tempo, same category, same this, same that, and it'll just all sound the same.
One of my friends said to me, "Oh yeah, of course you aren't writing." So I was like, "The next time you see me, I'm gonna have a new song." I wrote "Criminal" in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
That's an actor's life. I thought Meet Joe Black was gonna be one of the big changes for me, and it was gonna be a runaway hit - and it wasn't. And with Mr. Mom, I said, "There's just no way." And it turned out to be a huge hit.
This song 'Calma' has been a blessing, an unexpected one. When I wrote the song, I wasn't looking for a single, I never thought I was gonna have a world hit in my hands. I was connecting with my childhood.
Sometimes you're gonna write a song and it's not gonna be right from the beginning. And you're just gonna have to work through that wall. But if you know something is there, you've gotta just keep doing it until you get it right. So, I'll work on a song for three months if I have to, to get it right.
I would say I'm an ironist not a satirist. All you do is you take existing tendencies and crank them up, just turn up the volume dial. Which is a technique of science fiction, apart from anything else.
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