A Quote by Ricky Reed
Who doesn't love classic Destiny's Child or Ace of Base? There's so much amazing music from that time period, so it makes sense that we're starting to hear that pop up in records.
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The Beatles, they brought a whole new dimension to pop music. Of course, the psychedelic period is much more interesting to me, starting with 'Rubber Soul' and on to the 'White Album.' Great, great records. I was such a Beatles fan. I was very sad when they broke up.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
We love all kinds of music: We love pop music, we love rock music, we love R & B and country, and we just pull from all our influences. So I don't really take offense as long as people are coming out to the shows and buying the records and becoming fans of the music. At the end of the day, the music is what's gonna speak to you.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative. So whatever. I listen to all if it. Classic rock and classic pop, all of that.
I do love great pop music, The Hollies had brilliant pop records.
I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.
You want to embrace what the idea of pop music is. Not necessarily the stereotype of pop music; there was a time when you'd say 'pop music' and conjure up images of the Sweet, or Marc Bolan. That, to me, can be avant-garde still.
I was always into pop music, Destiny's Child, songs with catchy music. Even when I was writing when I was younger, it wasn't all about expressing myself; it was just about making fun music.
And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.
Beyonce did an incredible job of differentiating the sound of Destiny's Child in her songs. When you hear Destiny's Child, you know it based on the harmonies and the melodies.
I linked up with Swishahouse when I was 17 or 18, and was a child through most of my first few records. The music wasn't childish or corny but you could see it was from a place of a child - somebody that was a little more ignorant or ratchet. Now that I have kids, there's a bigger sense of responsibility.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.
You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.
That's the thing: pop music has sometimes had a bad reputation for being about a lot of other stuff than the music. And I am just a lover of pop music. I love pop. I love big choruses. Dramatic choruses - they're the best thing in the world. And I do this because I love making music and performing the songs.
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