A Quote by Ricky Rubio

When I tweet in English, Spanish people get mad at me. When I tweet in Spanish, English people get mad at me. You never can be 100 percent for everybody, you know. I try to do both, at the same time; but it's hard.
I try to do it in both languages: English and Spanish. But sometimes I just Tweet in Spanish.
I was raised speaking English and Spanish. And I also speak Danish. And I can get by in French and Italian. I've acted in Spanish and English, but when something has to do with emotions, sometimes I feel I can get to the heart of the matter better in Spanish.
It's easier for me to act in Spanish, but as soon as I get the lines in English and I know them by heart, it becomes really easy. You don't have to worry about the language anymore. It just takes more time. In Spanish, I can learn lines in 10 minutes. In English, it's going to take an hour.
To be blunt, I feel like lyricism in Spanish is of a different quality than English. You can get really poetic in Spanish, but I feel like if you do that in English, you risk sounding cheesy. In Spanish, it's never that. It's always this deep, passionate, beautiful imagery; it's painted different, a different color.
Writing in English was a major challenge. I didn't want other songwriters to write for me. I wanted to preserve the spirit of my songs in Spanish. I am the same Shakira in English as I am in Spanish.
You never know what little idea or joke, what flame flickering really quickly, will become a song. That first idea, it can come any time. If it's in Spanish, you go on in Spanish. If it's in French, French. If it's in English, English. Or Portuguese. I'll try to do my best. I like Italian, though I don't speak it much.
When you sing in English and Spanish, it's two completely different forms of expression and... even the people who don't speak Spanish love to hear me sing in Spanish.
I think that a lot of teams aren't as close-knit as we are because a lot of the Spanish speakers don't know English and some of the English guys don't care to try and learn Spanish and relate to Latin players.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
My parents were both Spanish-speakers and they used to speak to me and my siblings in Spanish and we'd answer them in English.
My first language is both English and Spanish. My mom was raised in Los Angeles, so with her we spoke English, but my father was born in Cuba, so with him we spoke Spanish.
Actually, my first group was a folkloric group, an Argentine folkloric group when I was 10. By the time I was 11 or 12 I started writing songs in English. And then after a while of writing these songs in English it came to me that there was no reason for me to sing in English because I lived in Argentina and also there was something important [about Spanish], so I started writing in Spanish.
What's always a challenge for me is that my Spanish is not the level of my English. Nor do I read in Spanish the way I read in English.
When I came back from Bolivia, my Spanish was in some ways as good as my English. I am rusty today. But I am comfortable talking in Spanish. I am not flawless or fluent, but I am comfortable. It takes me a day or two speaking a lot of Spanish to get back into a rhythm.
In Spanish, I record a lot of single-voice tracks, and in English, I 'stack' a lot of voices, so it's very different, and I think I got so used to recording in Spanish for six years that it was really refreshing and challenging to get in and record 'Double Vision' in English.
We all need to stomp out balkanization. No Spanish radio stations, no Spanish billboards, no Spanish TV stations, no Spanish newspapers. This is America, speak English.
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