A Quote by Ricky Schroder
I can be tough on actors, but I also let them know early on in our relationship what I expect from them.
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Brad and I have never wanted our kids to be actors, but we also want them to be around film and be a part of Mommy and Daddy's life and for it not to be kept from them, either. We just want them to have a good, healthy relationship with it.
I don't know where people got that I didn't have a good relationship with my players. I'm demanding, yes; I'm on their butt. I expect 100%, but they all knew I loved them, I cared for them, and I'll always be there for them.
Brad [Pitt] and I have never wanted our kids to be actors. We've never talked about it. But, we also want them to be around film and be a part of mommy and daddy's life, and for it not to be kept from it either. We just want them to have a good, healthy relationship with it.
The way I become friends with somebody is a slow process. You can't just spill your guts and tell them everything about yourself and expect them to listen and understand you because you don't know them. It's the same thing with a relationship.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
Humans have a fraught relationship with beasts. They are our companions and our chattel, our family members and our laborers, our household pets and our household pests. We love them and cage them, admire them and abuse them. And, of course, we cook and eat them.
I'm very loving and supporting of my actors. I also expect them to show up prepared, happy to be there, and give their all as I do as an actor.
In the early 19th to the early 20th century, people had a lot of things wrong with them. Doctors didn't know how to fix them, and so they lived with them.
Award shows, like the Grammys, were tough on us early in hip-hop, not even televising our categories or splitting them up on best male or female or any of that. We had to earn them.
If there's anything I know about directing, it's how to make actors comfortable. It's where I started and it's what I know, and it's what I love. I like when the actors are really partners and I want them to be excited and I want them to surprise me. I don't want them to be puzzle pieces.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
Until we express ourselves, tell our elected officials what we expect from them, we can't expect them to do it on their own.
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
Of course 'we humans' have a funny relationship with the beings with whom we share our planet. We eat them, we care for them, we admire them, we use them.
To emphasize the importance of beauty is to connect art again to emotion and desire. To find something or someone beautiful is not simply to appreciate what you now see or know about them. It also involves the desire to get to know them better, in the hope that what you will discover will, in some way that you can't know at the time, make your life better, just as your relationship with it so far has also made it better.
All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
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