A Quote by Ricky Schroder
Directing, I just feel comfortable. I know what I want. I know what I want from my crew. I lead by example. I have limitless energy as a director.
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What do I think of myself? I know my worth. I know my value. I know I have to lead by example. I can't just be all over the place. I put the energy out that I want given back to me. And again, I'm true to me.
There is a sort of creative purity in an independent film, in the passion of the director, the passion of the crew. They're not getting a whole lot of money, so you know they are not there because they want to get rich. Instead, they are there because they want to make a movie. In the bigger films, I remember when I used to do those, it's just a job for a lot of people, so there is less of an intense energy devoted to the whole project.
If there's anything I know about directing, it's how to make actors comfortable. It's where I started and it's what I know, and it's what I love. I like when the actors are really partners and I want them to be excited and I want them to surprise me. I don't want them to be puzzle pieces.
I know, just from directing television, where you have a huge support system of producers and writers and a script supervisor - not just the cast but a crew of 100 people - there are, as a director, hundreds of questions that you have to answer every day.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
I want to be ambassador-like. I want to, you know, set examples, especially as a young black female. That, I think, is important, and I just want to be a bit of an example, you know.
Acting is such a high art, and coming from theater, I know how hard it is and respect the craft. I want to look back when it ends, and say I challenged myself. I wanted to be an actor you always remember, and those who are the great ones. That's just a personal journey. If you're too comfortable you're taking it too easy. The director can direct you for two months but before that it's just you and your internal drive. I want people to go to my movies and know it'll be good, and with great actors. You never know what you'll learn from just staying in the same space with them.
I'm just kind of sick of music. I don't know what I want to do. It's not that I feel suicidal or anything, but I just want to end this life. I just want to be somebody else now. Sometimes I feel like that. You always think, "If I just cut my hair really short and dye it brown and put on a little goatee, no one would know it was me, and I could..."
I've worked on shows where the lead actor doesn't know their lines, doesn't care, and it affects everybody - the crew, the director, the other actors. It's definitely a responsibility.
I don't want to sound arrogant and say that I know everything about directing and I've got it cracked, but it was just all in all a joyous experience. To me, the key to directing, to be honest, is just surround yourself with brilliant people and let them do their thing
Directing Mr. Mohanlal was a delight. He's completely there and wanting to know what you want him to do. He's very keen on making sure the director's vision is realised.
If you want to know how to handle a crew, it's great to be part of a crew.
I'm a practitioner of elegant frugality. I don't feel comfortable telling other people what to do, so I just try and lead by example.
I just want to raise a confident girl. I just want her to know that she doesn't need to be sending naked pictures and doing all that stuff - I'm definitely going to monitor everything. I want to raise her to know that she can go do whatever she wants in life and to be comfortable in her own skin, which I think also just comes with age and time.
At the end of the day, you're handing your performance over. If a director says after a take, 'You know what, try it just really angry. Just get furious'... you're like, 'Well, I don't know if I want to give you that because I don't know if I trust what you're going to do with it.'
I'm fascinated that people drawn to cults want to know what to do. And people want to know what to think. And people want to know how to feel. Not just what to feel but how to feel.
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