A Quote by Ricky Schroder
Working on 'NYPD Blue' and '24', those two series, I did full runs on those. It's great work, but everything has to align. The producers have to want you; the network has to want you; there has to be great writing; and it's not as easy as it may appear to the outsiders to make all those things align.
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Gender is something that occurs in the mind, and sex is something that occurs, you know, everywhere else on the body. And whether or not those two things happen to align - well, if they do, great. If they don't, also great.
Soul is that part of you that longs for harmony and cooperation and sharing and reverence for life. When you make decisions that align you with those values, you align your personality with your soul. It's that simple to understand. Now to do it, in my experience, is hard.
People should think about their closets like they think about a stock portfolio. There are things you want to invest in; you make those investments, and those are your blue chips. So you should invest in a great pair of jeans, in a great cashmere sweater.
My position is that the rate should align with the level of economic development. Because it is always about a balance, a balance of interests, and it should reflect this balance. A balance between those who sell something across the border and those who benefit from a low rate, as well as a balance between the interests of those who buy, who need the rate to be higher. A balance between national producers, for example, agricultural producers who are interested in it.
I have a choice: Do I want to align with the GREATEST VISION OF MYSELF or Do I want to align with my EXCUSES?
Many people in Western culture are striving for success. They want the home, they want the great business. They want all of these outer things. But what we found in our research is that having those things, certainly doesn't guarantee what we really want, which is happiness. And that's when all those outer things come. They don't come from going after them first to get the happiness, it's backwards; you go for the sense of inner joy, of inner peace, of inner vision first and then all of the other things from the outside appear.
There's so many things I want to do. I want to work with great filmmakers, great actors, great scripts. And there's no reason for me to do anything short of that, because I'm 24, I don't have a family, I don't need to make tons of money, and I'm not dying to get famous.
When your dawn theater sounds to clear your sinuses: don't delay. Jump. Those voices may be gone before you hit the shower to align your wits. Speed is everything. The 90-mph dash to your machine is a sure cure for life rampant and death most real. Make haste to live. Oh, God, yes. Live. And write. With great haste.
There are two kinds of people in this world: those who want to get things done, and those who don't want to make mistakes.
If you want to hire the best people, the best people are already doing pretty impressive things. They have their life plans, their picture for what they want to be doing. To figure out a way in which those trajectories align really takes time.
There are two things I want to be able to know when I walk into a fight, or with anything in life. And I'm not Superman, I'm not even that great at fighting. Those two things are: I have done everything in my power to prepare for this and I will not quit, no matter what.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
Consumers no longer want only a great product - they want to buy products from companies that align with their own character and values.
I'd always thought that 'NYPD Blue' really would open those doors. While I think it created a much broader template for cable, I don't think it really did that much for network television.
Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.
We are young, but We already know that in life's great game those who are most unhappy are those who haven't taken the risk to be happy. And I don't want to be one of those
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