A Quote by Ricky Schroder
I love horror. I love 'The Shining,' 'Friday the 13th,' 'Halloween,' all those kinds of things. I love zombies, especially '28 Days Later' and '28 Weeks Later,' where the zombies are going faster than the George Romero ones. I love being scared; there's something that's awesome about your heart rate going up like that.
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I loved Zack Snyder's 'Dawn of the Dead' and '28 Days Later' and '28 Weeks Later.' I would love to be involved with a film that shows the breakdown of society and a small group of survivors in a world that has crumbled. That's something I would like to explore.
I liked the '28 Days Later' films, but they're not zombies; they're not dead. They're not using it in the same way.
I love zombies, and I love playing zombie-killing video games, so I was always super into the zombies, seeing how it all works and seeing the blood everywhere. I love that kind of stuff.
I used to love those movies, back in the day, like 'A Nightmare on Elm Street,' 'Friday the 13th,' 'Rosemary's Baby' and 'The Shining.' I really liked those kind of movies, and I wanted to be a part of one of those kinds of movies.
When fighting zombies, the only comfort one can have--if, indeed, it can be called a "comfort"--is knowing where the zombies are. "They are over there, and we are over here. When they come at us, we're going to shoot them down. That's how it's going to work. They're just zombies, and they're way over there. No way are we going to f*** this up." But when zombies then unexpectedly pop up behind you--Bam!--the whole battle plan's not so cut and dried, is it, Mr. Tough Guy?
I've always wanted to make a big apocalypse movie. I love 28 Weeks Later, I think it's great but Cell is totally different. It's about people's dependence on technology, the collapse of society and watching everything fall apart. That's something I've always wanted to do, which I believe it can!
Zombies are the liberal nightmare. Here you have the masses, whom you would love to love, appearing at your front door with their faces falling off; and you're trying to be as humane as you possibly can, but they are, after all, eating the cat. And the fear of mass activity, of mindlessness on a national scale, underlies my fear of zombies.
I love zombie films like Danny Boyle's '28 Days Later' - I thought it was so brilliantly done and so grounded in reality. I was definitely thrust into the zombie world watching that film.
Cillian Murphy is the guy who battled viral zombies in '28 Days Later' and put a gas-spewing bag over his head in 'Batman Begins'. With his pallor, cut-glass cheekbones and glazed blue eyes, he's right on the border between dreamboat and spooky freak.
I think the world's big enough for all kinds of zombies. You can have yours and I can have mine. I think by going with slow zombies I maybe have been asserting my own kind of zombie snobbery, but I don't begrudge the youngsters their tackling, running, jumping zombies.
In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.
Love, I would later conclude, was all things to all people. Love was the breaking and healing of hearts. Love was misunderstood, love was faith, love was the promise of now that became hope for the future. Love was a rhythm, a resonance, a reverberation. Love was awkward and foolish, it was aggressive and simple and possessed of so many indefinable qualities it could never be conveyed in language. Love was being. The same gravity that relentlessly pulled at me was defied as I rose into something that became everything.
Poetry is emotion, passion, love, grief - everything that is human. It is not for zombies by zombies.
I love zombies. If any monster could Riverdance, it would be zombies.
It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
Love represents a lot of things. You can be in love with someone, you can be in love with something. You don't know why you love something so much, you just do. You gravitate towards it and then you figure it out later.
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