A Quote by Ricky Skaggs
I try to keep my heart and myself available for those little, 'God moments,' are what I call them, where someone calls the office and says, 'Would Ricky be interested in doing this?'
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I'd done all my research and seen that Booker and Gadson had worked with giant folks and little peanuts, too. That just showed me that they're musicians. They're not just interested in doing the big ones, they're interested in doing stuff that - pardon the expression - gives them a boner. I'm like that, too. I don't want to just do easy stuff. I want to keep myself freaked out all the time. Hence the title of the record, I Like To Keep Myself in Pain.
Jesus says, "Keep your heart on the kingdom first. Keep your heart on God's love. Keep focused on the fact that you are God's beloved daughter or son. That's the truth of who you are.
I archive a lot of my clothes and have them wrapped up and in boxes. I call them 'little tombs' and keep them in a storage space... I would never get rid of the dress I wore on the night I won my Oscar. When I die, someone can have it, but not a minute before!
[Detractors] are just wrong, and that's okay. They just don't see it yet. That's what I would tell myself to keep those moments of doubt, only moments.
If what I think is God should come down today and says "I'm God, or the thing you call God, and you're never going to do any more movies. You're never going to do television. You're never going to do theater again in your life," I would just say "What are we doing? What is the next step?" That's how I try to approach it.
[Walter White] had keep [people] waiting while you got the impression that he was terribly busy with calls to Washington. I've seen such exhibitions in that direction as having someone come out of his office to the switchboard operator - which at that time was sort of located in the center of wherever people were waiting - and ask to call such-and-such a place, or a call through to Mr. So-and-so, or somebody like this, you see.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
I think with comedy I get very sort of critical of myself and try and do the best I can and it doesn't come as second nature. I work at those kinds of films. It doesn't mean I can't do them - I've done two now, and I have a great time doing them, but I just find myself a little bit more neurotic.
I surrender my anxiety and my sense of urgency. I allow God to guide me in the pacing of my life. I open my heart to God's timing. I release my deadlines, agendas, and stridency to the gentle yet often swift pacing of God. As I open my heart to God's unfoldings, my heart attains peace. As I relax into God's timing, my heart contains comfort. As I allow God to set the tone and schedule of my days, I find myself in the right time and place, open and available to God's opportunities.
So I decided to start a church, for three reasons. First, I hated going to church and wanted one I liked, so I thought I would just start my own. Second, God had spoken to me in one of those weird charismatic moments and told me to start a church. Third, I am scared of God and try to do what he says.
The significance and joy in my science comes in those occasional moments of discovering something new and saying to myself, 'So that's how God did it.' My goal is to understand a little corner of God's plan.
If people are taking my book seriously and organizing, getting into office, caring about the constitution, and not waiting for someone else to lead them, I think, God bless them. All of us should be doing that. The left should be doing that.
Anything that someone's interested in should be very, very easy to call up onto the screen. And in fact the computer over time will see what you're interested in and make that immediately available without your having to be give any commands at all.
When Shonda Rhimes calls, you feel like you get called into the principal's office a little bit, and you think, 'Maybe I better take that call.'
To make it really clear and simple, let's call this movement across history we see in passages like the ones we just looked at from Exodus and Deuteronomy clicks. What we see is God meeting people at the click they're at, and then drawing them forward.When they're at F, God calls them to G.When we're at L, God calls us to M.And if we're way back there at A, God meets us way back there at A and does what God always does: invites us forward to B.
I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.
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