A Quote by Ricky Skaggs
Country and western is ignored by the intellectuals. They don't look at it as an art form. They think it's just somebody sitting on his couch singing about his life.
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I don't think about Yauch in the form of his death. I think about him in the form of his life. He was like my closest older brother. There's just so much that we lived through together.
He was the first to conceive of movies as an art form. His belief was that if the traditional art form would not find room for him, then he would make an art form of his own.
My therapist in Paris once told me that being creative is a better form of therapy for me than sitting on his couch.
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
Chet Atkins, I love his singer style and the country thing that he did. He really had a huge impact in my life, just his style - western swing and the country thing he did - it really changed my life.
I think 'Chef' is about somebody who's in the middle of his life, and he's kind of lost his passion and his voice, so he seeks out some refinement and redemption.
I love the notion of a dude sitting there with an untuned guitar tapping his foot and just singing his passion out; that's what got me into music in the first place.
,,, all around it would have to be Eddie Cochran, because it wasn't just music with him; it was his guitar playing, his look, his singing, I'd say that, all things considered, he's probably my favorite "cat" of all time
I admire Ai Weiwei for his art and his activism. His art is beautiful in form, and in function embodies the principles of populism and social consciousness I aspire to in my own practice.
I remember sitting there on my father's couch or my mother's couch, listening to this lecture about how there were two groups and we had to be separated. We've come a long way from this kind of open racism. And I think it's wonderful.
Once, Picasso was asked what his paintings meant. He said, “Do you ever know what the birds are singing? You don’t. But you listen to them anyway.” So, sometimes with art, it is important just to look.
My dad had to work for everything in his life; so did my mum: she cleaned people's houses and looked after old people. You can be complacent and sit on the couch and complain about the dreams that you missed. Get off the couch!
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
The mind, by its very nature, persistently tries to live forever, resisting age and attempting to give itself a form... . When a person passes his prime and his life begins to lose true vigor and charm, his mind starts functioning as if it were another form of life; it imitates what life does, eventually doing what life cannot do.
Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty look, repeats his words, Remembers me of his gracious parts, Stuffs out his vacant garments with his form
Speed is the form of ecstasy the technical revolution has bestowed on man. As opposed to a motorcyclist, the runner is always present in his body, forever required to think about his blisters, his exhaustion; when he runs he feels his weight, his age, more conscious than ever of himself and of his time of life. This all changes when man delegates the faculty of speed to a machine: from then on, his own body is outside the process, and he gives over to a speed that is noncorporeal, nonmaterial, pure speed, speed itself, ecstasy speed.
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