My parents are really honest when they watch something. My nan is brutally honest. She'll tell me, 'Oh, you looked awful in that scene,' and I'm like, 'Well, I was giving birth at the time, so it probably worked with the character, Nan.'
We like people who are honest. Honest in argument, honest with clients, honest with suppliers, honest with the company - and above all, honest with consumers.
I vape with my parents in my house. My parents don't really get high, which bums me out. But I vape with them around. It's just like a glass of wine. The family of the future is parents and kids who get high together. That is crazy to me, but it's so cool. I like the fact that my parents are fine with it, even if they won't do it with me.
I think men under pressure - I mean, that's what brings out the worst and the best of us. I like to explore that quite a bit in my characters because I don't see a lot of it on the screen that moved me like the films that I grew up with - that are honest, at least, about honest emotions and honest heroism.
I respect my parents' opinion very much. No matter how old you are, what your parents think is very important. If they like your boyfriend or if they like some work you've done. And if they don't, it's more shattering than anybody else telling you, because they're the most honest.
And my parents' separation was tricky. But my mum had always been really honest with me, and treated me like an adult even when I was really young, so I knew they hadn't been getting on.
My parents have always been very honest with me.
We're very good friends, we have a very honest relationship. He keeps me honest, I keep him honest. He's an incredible actor and when you have an actor like Denzel action becomes drama.
I think, with my cartoons, the parent-like figures are kind of my own archeypes of parents, and they're taken a little bit from my parents and other people's parents, and parents I have read about, and parents I dreamed about, and parents that I made up.
To be quite honest, my fans growing up were my friends' parents. Like, 30-plus was, like, 'Mad Men' age group.
To be honest my mentor was my mom and dad. I was very blessed and fortunate to have parents like I had.
Children recognize me from Free Willy (1993), and their parents recognize me from Reservoir Dogs (1992). The kids are, like, "There's Glen!" and the parents are, like, "Don't go near that guy!"
The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me.
In interviews, on the set, talking to people, I'll just start talking about my parents' divorce, and go on and on. My mom's always like, 'You don't have to be that honest. You have to be more fake.' You see some of these actors, they have a permanent smile on their face. How can they do that? It really fascinates me.
My parents taught me broad Christian values. To be kind to one another, to be honest, not to just think about yourself.
Both my parents are English and came out to Australia in 1967. I was born the following year. My parents, and immigrants like them, were known as '£10 poms.' Back then, the Australian government was trying to get educated British people and Canadians - to be honest, educated white people - to come and live in Australia.