A Quote by Ricky Williams
I would drive home and see people wearing my No. 34 jersey and wonder why, because I didn't feel worthy of that. And all the time I just knew people were staring at me, talking about me everywhere I went.
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I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.
In London I'm out and about all the time. I walk everywhere, so people do recognise me and they've probably seen me before so they're not bothered anymore. But I think that's a good thing because if you try and remain mysterious people are surprised when they see you. With me, I think they're just bored of seeing me - but that suits me just fine because I like to live as much of a normal life as I can. That's why I love living in London. People are very respectful of your privacy. If they see you having a coffee in a coffee shop, they're not going to interrupt you.
It`s great to be able to drive around and spy on people, which I do when I'm writing. People tell me the most personal things about their lives for no reason - on airplanes, everywhere I go. People just blurt out secrets. I'm not sure why. I think that they see in my films that nothing will make me uptight. I'm not going to judge them.
Home. One place is just like another, really. Maybe not. But truth is it's all just rock and dirt and people are roughly the same. I was born up there but I'm no stranger here. Have always felt at home everywhere, even in Virginia, where they hate me. Everywhere you go there's nothing but the same rock and dirt and houses and people and deer and birds. They give it all names, but I'm at home everywhere. Odd thing: unpatriotic. I was at home in England. I would be at home in the desert. In Afghanistan or far Typee. All mine, it all belongs to me. My world.
Everywhere I go, somebody is staring at me. I don't know if people are staring because they recognize me or because they think I'm a weirdo.
Everywhere I go, somebody is staring at me, I don't know if people are staring because they recognize me or because they think I'm a weirdo.
First I went to a Jewish school, when I was very little. But when I was 12, they put me in a school with a lot of traditions, and they were educated people and they were talking about Greece and the Parthenon and I don't know what. All the kids, all the girls they had already seen that and knew that from their family, and I would say, "What are you talking about, what's that?" It's not my world. My grandparents were very well-educated people, but in the Jewish tradition. They knew everything about the Bible.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be "See, you're leaving after all when you promised you wouldn't." I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them.
I remember getting to college and all of a sudden realizing that feminism was a dirty word to a lot of people and it was baffling to me. I would tell people that I was a feminist and they would look at me and go, "Why?" And that just made me feel more at home in those shoes.
I don't think about the record, because winning games has to be our focus, and if we lost focus thinking about that record, I would really regret it. How will I feel later on? People tell me it will mean a lot after I retire, for the kids and me. But to me, it's just a stat. It's something people enjoy talking about. Me? I just enjoy playing.
People often say to me, 'I understand what you are talking about intellectually, but I don't really feel it, I don't realize it,' and I am apt to reply, 'I wonder whether you do understand it intellectually, because if you did you would also feel it.'
Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
I felt like all of the American people did not believe me because of the things that were said about me, and said that people would say that it was just for the money, and it wasn't about the money. It was about what he did to me. And I knew I was telling the truth.
Why have you been staring at me ever since we met? Because I’m not the Gail Wynand you’d heard about. You see, I love you. And love is exception-making. If you were in love you’d want to be broken, trampled, ordered, dominated, because that’s the impossible, in the inconceivable for you in your relations with people. That would be the one gift, the great exception you’d want to offer the man you loved. But it wouldn’t be easy for you.
The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
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