A Quote by Rico Love
There's a bunch of people who sit around and make excuses for themselves and get upset with artists, but you already know what this is - it's an ego-driven business.
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You know, when I sit in meetings and things are very tense and people take things extremely seriously and they invest a lot of their ego, I sometimes think to myself, 'Come on, you know, there's life and there's death and there is love.' And all of that ego business is nonsense compared to that.
We are a mission-driven company. In order to do this, we have to build a great team. And in order to do that, you need people to know they can make a bunch of money. So we need a business model to make a lot of money.
I do know that there is a difference between artists who are career-driven and artists who have a calling and are just compelled to make music, compelled to perform live, and the business isn't the reason they're doing it. In fact, there isn't really a reason. You just do it.
You have to have an ego to be an actor, but you need an ego just to get through life! Unless you want to sit on a corner and suck your thumb, it takes a healthy ego to get up in the morning and say, 'I deserve to be here.'
I think that one of the positions we have taken around the question of race, is that we already know. We know. We know. We know. And so we don't need to look at it again. And yet everybody is still upset. Everybody is still being driven by their outrageous imagination to the point of killing people because they feel that a black man in front of them is a demon, or the Incredible Hulk.
Well, you know, certain - for one reason, I think that the intervention process is a good process for most people, but for me, it just looked like a bunch of my friends trying to get back at me and sit around taking jabs at me, you know, when I couldn't defend myself.
Savages and modern artists are alike strangely driven to create something uglier than themselves. but the artists find it harder.
It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
I found people that were willing to push me. I was like, 'These are my goals. I need you to get me here.' I don't need any excuses. I won't make any excuses. I'm over making excuses.
Pitching, if you have a bad start, a lot of the blame is put on you and then you have to sit around and think about it all week. And the same thing with kicking. You either make it or miss and no one is going to make excuses for you. The mentalities of the two are very comparable.
In the record business, if you sign an artist that don't really know too much about the business, you can really get over on them in a lot of different ways, so it's a lot of people that don't give artist the game because they're trying to make the most money in the fastest way off their artists.
Americans want grungy people, stabbing themselves in the head on stage. They get a bright bunch like us, with deodorant on, they don't get it. I'm 24 years old, I've got a load a money, what am I gonna do, sit at home and twiddle me thumbs? No. I'm gonna go out and 'ave it.
Too many actors get on an ego trip and won't do commercials, so they sit around for 20 years between jobs.
Regardless of the difficulties we may face individually, in our families, in our communities and in our nation, the old adage is still true - you can make excuses or you can make progress, but you cannot make both! The America I know doesn't make excuses.
Memoir is actually the most egoless genre, even though it might seem ostensibly so much ego-driven. In order for it to succeed, you have to dissolve the self into these larger universal truths, and explore these deeper mysteries. If it’s purely autobiographical and ego-driven, it’s going to fail.
A lot of artists still will not get that far. And get that far and be as successful. So, it's a great thing for me, and hopefully I can make it to number 10. And then I would want to start managing other artists, 'cause I think the best manager is an artist, his, or herself, that has been in the business and been successful and knows the ins and outs of the business.
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