A Quote by Rico Nasty
When I made 'Tales of Tacobella,' and I made 'Sugar Trap,' it was like people literally trying to say that like, either that they made it, or that they helped make it, and then they continued to try to steal the flow, try to steal the aesthetic of everything I tried to build.
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I steal from every single movie ever made. I love it - if my work has anything it's that I'm taking this from this and that from that and mixing them together. If people don't like that, then tough titty, don't go and see it, all right? I steal from everything. Great artists steal; they don't do homages.
One time, a burglar came to my apartment, so we called the police. My son was here, so I think they left before they tried to steal something. So the police come to my apartment, and they say, 'Oh my God, did they steal everything?' I was like, 'No, it was like that!'
I go into the crowd almost everyday and I really really really despise it when people try to steal my shoes. That is a thing where they're proabably like 'oh, you can just go out and buy a new pair'. Like yeah, but those are my shoes. How would you feel if I tried to steal your shoes?
Do you have to make me feel like there's nothing left of me? You can take everything I have, you can break everything I am, like I am made of glass, like I am made of paper.Go on and try to tear me down I will be rising from the ground like a Skyscraper.
We try to make films for people [that are] the films that we'd like to see. They're not easy to get made. They're hard to get made. You have to keep the budget low to get them made. But at the end of the day, I don't really worry about competition, because I don't really think of it that way. I don't feel like I'm in a race with anybody.
If you are uninterested in what I say, there's an end to it. If you like what I say, please try to understand which previous influences have made you like it. If you like some of the things I say, and dislike others, you could try to understand why. If you dislike all I say, why not try to find out what formed your attitude?
I remember when I first came to Liverpool, Pepe Reina helped with everything, and he made it easy for me. When I was Atletico Madrid captain, I tried to help everyone. These are the basics in football: you need to create an atmosphere and try to create a group of friends. It's not easy, and it doesn't always happen, but you have to try.
You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
There's so many great coming-of-age movies to steal from, and I feel like I just tried to steal from them all equally.
If you're just starting off as an artist, steal as much inspiration from everything you like, as much as you can. Take from books, from poets, from musicians. Just steal stuff from all over the place and then mix it up to make something of your own.
I was thirteen, and I did a movie that got attention, and I got attention, and I didn't like it - it made me uncomfortable - so I just quit. And then I was trying to figure out what to do and was worthless at everything, so I was like, 'All right, I'll try acting again.'
The first investment he made, he like made literally a 50x-plus. I mean that's Kobe. He was a winner in absolutely everything he did.
They say that patriotism is the last refuge to which a scoundrel clings steal a little and they throw you in jail. Steal a lot and then they make you king.
When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
You have a guy like Bernie Madoff literally steal $80 billion, you know, AIG steal hundreds of billions, Goldman Sachs. Crime has changed so much, and to really do a movie with, like, drug dealers or drug smugglers is kind of almost quaint at this point.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
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