A Quote by Riddick Bowe

I have a bus that's 40 feet long. When I was in training camp, I was scared to fly, so I used the bus. — © Riddick Bowe
I have a bus that's 40 feet long. When I was in training camp, I was scared to fly, so I used the bus.
I used the bus when I was growing up in Brazil. I don't want to diminish anyone who travels on the bus, but I haven't done that for a long time.
As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus. If you're on the bus, and you get left behind, then you'll find it again. If you're off the bus in the first place — then it won't make a damn.
When you are waiting for the bus and someone asks, "Has the bus come yet?". If the bus came would I be standing here?
My first artist bus was Jason Aldean's old bus, with deer antlers over the lights and cowhide on the back of the couches. It was such an absolute dude bus.
Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
I remember my father used to wake up at 4 A.M. He woke me up as well. We would leave home together, he was going to work and I continued my walk to catch the bus. I had my training session with Sao Paulo in the morning. I had to take two buses to the point I could take the club bus.
The bus scares me. Way too many gross people on the bus. Sixty-five people on the bus and I was the last one on. I felt like calling Unsolved Mysteries. 'Yeah, I found everybody.
To play on top of a bus is something we've never done before - we did play on the Red Bull Tour Bus once in Bangalore last year, but it's always a one of a kind of experience to jump on the bus and sing.
If there are people out by the bus, I'll come off the bus and sign autographs, too. I always want to be accessible. I always tell my fans, 'If I ever get on the bus and don't come off, it's because I'm under the weather or I'm really tired.'
This is gonna sound stupid, but I saw at one point that our mothers are ... bus drivers. No, they are the bus. See, they're the vehicle that gets us here. They drop us off and go on their way. They continue on their journey. And the problem is that we keep tryin' to get back on the bus, instead of just lettin' it go.
Really, anyone can learn how to fly. If you can drive a bus, you can fly an airplane.
Just by default, because I don't have kids on my bus, I'm putting the studio on my bus. Where everybody else is doing their cribs on their bus, I'll have a little studio, so I'm going to invite my bandmates, on days off, to come and keep writing so we can continue the creative process and keep it going through the tour.
At the rear of the bus, the driver wrenched a big chunk of smoking metal out of the engine compartment. The bus shuddered, and the engine roared back to life. The passengers cheered. Darn right!" yelled the driver. He slapped the bus with his hat. "Everybody get back on board!
When I started going to training my father used to take me. But that meant we had to buy two bus tickets and it was not easy for us, you know.
Ah. Yeah, that would be better. Have you ever driven a bus?" Caine shook his head. "No, I have not." "Strangely enough," Sam said, remembering the long ago moment of terror and competence that had earned him the nicknames School Bus Sam, "I have.
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