A Quote by Riddick Bowe

I hate hearing my voice on the radio. — © Riddick Bowe
I hate hearing my voice on the radio.
It's tough hearing your voice on the radio, on a chorus, and knowing that people think it's another artist.
To turn the radio on and hear so much more diversity, it's so refreshing. That voice that cuts through what you've been hearing, it's inspiring.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
I'm very picky, and I'm never 100% happy with the work I do; I hate watching myself and hearing my voice.
Hate radio, hate speech, hate groups, hate crimes really don't fit in, in the America that we know today.
Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
I hate people eating on film. I hate it even worse on the radio, when people eat on the radio. I just can't stand it.
The hearing aids are very helpful for speech reading. Without the hearing aids, my voice becomes very loud, and I cannot control the quality of my voice.
I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.
When there is a voice in a piece of music, we tend to focus on the voice. That is probably something from when we were babies and we depended on hearing our mother's voice.
The world I live in is benefiting from things like satellite radio. Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.
For myself, for a long time... maybe I felt inauthentic or something, I felt like my voice wasn't worth hearing, and I think everyone's voice is worth hearing. So if you've got something to say, say it from the rooftops.
I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I do hate you and then I see you and I.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
One of my great frustrations for 35 years at the paper was the fact I couldn't play a record for the reader when I was writing about an artist. How can you describe the beauty of Emmylou Harris' voice without hearing it, the sensual lilt of a Duane Allman guitar solo without actually hearing it, or the growl of Johnny Rotten without hearing it?
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