A Quote by Ridley Pearson

The way you get better is putting words on the page and getting them behind you. — © Ridley Pearson
The way you get better is putting words on the page and getting them behind you.
Work. Write. Read. Keep putting words on the page, because that's the only way you'll get better.
I definitely like taking the dark horse approach and picking people you should not be getting behind, and you figure out a way to get behind them.
Words and music equally important. But the way to get what I'm looking for is different in each case. I have something specific I'm hoping for with the words and the music, and the way to get the words the way I like them is to take a long time, and the way to get the music I like it is to not let me or anyone else get in the way of it.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
There's stories and then there's stories. The ones with any worth change your life forever, perhaps only in a small way, but once you've heard them, they are forever a part of you. You nurture them and pass them on, and the giving only makes you feel better. The others are just words on a page.
The best way to show an emotion is not through a character's words, but their smallest expressions - to take what an actor would visually do and try putting that down on the page for the reader to 'see.'
I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.
Write a page every single day, even if what you put on the page that day is no good - it's the only way to get better.
The bigger the budget, the more people that you have to coordinate and it's not easy to do that always because, not only do people have trouble communicating in that way, but often there are internal disagreements and everybody is not necessarily on the same page. Even in a big-budget movie with famous actors and directors, everybody could be on a completely different page. The director has to figure out a way of getting everybody on the same page, more or less, and keeping them there.
If words don't have vibration behind them, and a real feeling behind them, then they're just words.
As a writer, putting words on the page is how I pay attention.
The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.
I feel that I have had a blow; but it is not, as I thought as a child, simply a blow from an enemy hidden behind the cotton wool of daily life; it is or will become a revelation of some order; it is a token of some real thing behind appearances; and I make it real by putting it into words. It is only by putting it into words that I make it whole; this wholeness means that it has lost its power to hurt me; it gives me, perhaps because by doing so I take away the pain, a great delight to put the severed parts together.
You do get to a certain point in life where you have to realistically, I think, understand that the days are getting shorter, and you can't put things off thinking you'll get to them someday. If you really want to do them, you better do them. There are simply too many people getting sick, and sooner or later you will.
Writing is not just about putting words on a page. Ideas have to cook first.
When I knew what I had to do / I took all my notebooks, all my manuscripts / and ate them page by page / so I could take my words with me
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