A Quote by Rie Rasmussen
Honestly when you do it black and white, you really have to work your ass off. Because if you make it, make it good. Otherwise, don't pretend.
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Everyone has ideas. The first step is to learn more about your industry than anyone in the world. Otherwise there is a good chance that the lady that knows it better than you is going to kick your ass. Then you just have to go for it. No excuses. Just work your ass off.
I thought 'The Artist' was a perfect way to find a good balance. The artistic challenge is obvious because the film is black-and-white and its silent, but I did my best to make the movie accessible and easy to watch. I really don't want to make elitist movies. I really try hard to work for the audience. Audiences are smart. They get everything.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
When you go to a club it's not about being black or white or heavy or thick. I'm shaking my ass because I want to shake my ass, not 'cause "I'm dancing like a black girl!"
I think it's incumbent upon me to try to be smart and make good choices and work with good people and work my ass off when I'm working with good people and I have to let everyone have their opinion afterwards. But this is what happens. You make a movie or you're on a show and then you have this experience and everyone tells you what you did. They tell you what you did. That's allowed. That's the experience of being human and subjectivity. That's it. We can only do what we'll do, and I can only do the best I can do.
If you really want to make a change, just get up off your ass and do it.
Black women . . . work because their husbands can't make enough money at their jobs to keep everything going. . . . They don't go to work to find fulfillment, or adventure, or glamour and romance, like so many white women think they are doing. Black women work out of necessity.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
You have to understand that every negotiation isn't about taking everything off the table. It's cliche, but you have to try and make sure the other side feels good and you feel good. Because in my business, when I make a deal, it just means once we're done negotiating, we have to go off and work together.
When things get tough, this is what you should do: Make good art. I'm serious. Husband runs off with a politician -- make good art. Leg crushed and then eaten by a mutated boa constrictor -- make good art. IRS on your trail -- make good art. Cat exploded -- make good art. Someone on the Internet thinks what you're doing is stupid or evil or it's all been done before -- make good art.
I make a composition with a white and a black, and make adjustments when the white has become a paper and the black a shadow.
In a way, 'Sin City's designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.
In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.
If you can make a color show or movie seem like it's in black-and-white, then you've done a really good job.
'Star Wars' is very black and white, and honestly, I like it that way. But fantastical settings like that work best when the characters within them feel real. Real people have conflicts and make mistakes and get it wrong sometimes.
Can I jump in your body and make out with my wife through you?” I fought a grin. “It doesn’t really work that way.” “Then can you just make out with my wife and pretend I’m in your body?” “No.” “I can pay. I have money.” “How much we talking?
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