A Quote by Rigoberto Gonzalez

I always revise when I publish in a book. So versions in magazines are sometimes slightly different. — © Rigoberto Gonzalez
I always revise when I publish in a book. So versions in magazines are sometimes slightly different.
Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.
We always had the idea that there might be two slightly different versions of the same thing.
The woods always look different at night...as if the daytime trees and flowers and stones had gone to bed and sent slightly more ominous versions of themselves to take their places.
I revise and revise and revise. I'm not even sure "revise" is the right word. I work a story almost to death before it's done.
I get really frustrated - actually, it almost makes me angry - when I see, sometimes, magazines will publish a musician's playlist. They'll go and they'll ask, I don't know, somebody from Aerosmith or whoever, Coldplay, to list their five favourite albums. And it's always the same stuff!
I really think the human experience is very similar for everyone; we're all doing slightly different versions of the same thing.
What I'm trying to do [in Winter Journal] is to tell the story of a man's life from birth, but there are different versions of him, four different versions.
Without always meaning to, I write really long short stories, 60-pagers, 90-pagers, pieces of fiction that are too long for all but the bravest magazines to print, and too short for all but the bravest book publishers to publish.
Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.
If you try to write 1,000 words a day, as I do, after 100 days you'll look up and have a book. It may be a mess, and you may have to revise it 50 times, but you can't revise it if you haven't written it.
Sometimes I write drunk and revise sober, and sometimes I write sober and revise drunk. But you have to have both elements in creation — the Apollonian and the Dionysian, or spontaneity and restraint, emotion and discipline.
I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines.
If someone's going to publish a book about addiction, it has to say something new and different. It has to be something we haven't read before. A lot of these books are published because the writing is wonderful. The Frey book has superb writing, and that can be enough to sell a book.
Trust your imagination. Don't be afraid to fail. Write. Revise. Revise. Revise.
One thing Aussie telly does well is slightly different versions of programmes we've made. The trailers for 'Celebrity Splash' prove they don't just pick the good stuff either.
Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.
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