A Quote by Rihanna

I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound! — © Rihanna
I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound!
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
I'm not twentysomething. I'm not trying to find myself - I know exactly who I am and exactly what I want. And I don't want a fan. I want a man who understands me, who challenges me, who calls me on my sh-t instead of letting me get away with it because I'm supposed to be a star. I want a best friend.
I'm all about doing things myself because I find it hard to trust other people. Not trust, but I know exactly what I want to do, and I know exactly how it's supposed to look.
How'd it feel?" Rube asked himself. "I don't know exactly, but it made me want to howl.
If you make a suggestion and [musicians] don't know what you mean, you have to be able to do it yourself. I often sit down on drums and show 'em just exactly what I want. And I do it and then say, "How do you do that?" It's because I know how it looks, I know what I want to hear, and I don't drop or rush any tempo. It ain't in my body, it ain't in my nephew's body.
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
I am not an exponent of expressionism. I don't know exactly what that means, but I don't like the sound of it. I dislike cults and isms. I want to paint in terms of my own thinking and feeling.
I try to think of the songs as little movies. They're always pretty visual to me. I can always sort of see them. I don't always know what the end result is going to be, and I don't know exactly what it's going to sound like, but I can kinda see them.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
And I think one of the tasks that I always feel is how to get that vision out of them. Not exactly what they want, but what they want to accomplish for themselves or their community or their family.
"I don't know how to say it exactly. Only... I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself. "I don't want them to change me in there. Turn me into some kind of monster that I'm not."
It used to make me unhappy, all that feeling. I just didn't know what to do with it. But now I've learned how to make feeling work for me... I don't know, I just want to feel as much as I can, it's what 'soul' is all about.
If you are a designer, sometimes it is better not to delegate, because someone pays money for something that you designed, so it should be exactly the way you want it, exactly the way you would have chosen it. People call me a control freak, and I say, "Well, my name is on the shoe." It means the heel needs to be the way I want it and not the way somebody else wants it, and the toe needs to be exactly the way I want it, and the fabric and the material have to be exactly the way I want it. It is not a democracy - it is a dictatorship.
If we know exactly where we're going, exactly how to get there, and exactly what we'll see along the way, we won't learn anything.
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