A Quote by Rik Mayall

On stage you can group 200 people together and scare them or embarrass them or whatever. You can't do that on TV. You have to use the conventions, that's why Kevin (Turvey) works so well.
The biggest thing I've noticed with some of my favorite directors is their gift of sticking a bunch of strangers in a room together and making them comfortable and making them into a cohesive group. There's magic involved, because you don't know why anybody would pick this group of people.
Angeline's been hanging out with that dhampir. I just saw them walking off together. Is something going on with them?" "Which dhampir?" I asked. "The one with the fake British accent." "I don't think it's fake." "Well, whatever." Even I could read the jealousy in Trey's features. "What's up with them?" "Pretty sure there's nothing." "Then why are they always together?" Because she's trying to get over you, I thought.
Heaven is not a place for those who are afraid of hell; it’s a place for those who love God. You can scare people into coming to your church, you can scare people into trying to be good, you can scare people into giving money, you can even scare them into walking down an aisle and praying a certain prayer, but you cannot scare people into loving God. You just can’t do it.
Well, you know, whatever works works. If, you know, if laying your hands on someone and giving them healing makes them feel better, what does it hurt? It's a good thing.
It's the big question of every TV show, right, where you have these two people who it's clear the world wants to put them together and everyone wants to see them together, but also when you're telling these stories you can't throw these people together immediately.
I like pushing the envelope. I like pushing myself and the audience, whether it's a TV show or live. I like to throw people over the edge of the cliff and scare the wits out of them, but then pull them back and make them safe.
I was a TV producer at a noncommercial station, and we were producing some good documentaries - on Head Start, on poverty. But I was struck by the children, and the damage that poverty was doing to them. I didn't think filming them was helping much, so I wondered how we could use TV for them, to teach them.
I respect all religions. What I don't respect is when people use religion to attack others. I've met people across the world, in the middle of nowhere, who are just trying to survive and all they have is religion. In some why, it helps them, and I wouldn't take it away from them. There are also people who use to to hate and kill. I don't consider them religious people.
When you have demonization of a group of people, it's easy to clump them all together and not understand them.
In film, it's up to the director to tell the story in whatever way he sees fit, and however you fit into that ultimate vision is where you fit in. So what you did on that stage, on that set, may not be what you ultimately see when you see the final product. And TV works so fast, it works so fast, it's just about product. The average TV show, one episode shoots eight, 10 days. That's it. You get three or four takes for a scene, and then it's over. But people do it for the money.
The great thing about string quartets is the players are kind of like family. They work really well as a unit, so you can write things that let them use those talents of association and intuition-all the things they’ve developed together as a group.
A syndicate is a group that has gotten together to pool their money so they can cover more contingencies. If I come to track with, say, $200, and I join a syndicate of 20 people, each of whom can bet $200, we can spread our bets, and that gives us a better chance of winning.
If we know one thing from the transgender people who are currently serving - I'm in contact with one group that counts almost 200 people in uniform today who identify as transgender - it is a process that they have - that many of them have begun, that many of them would very much like to complete, if they could do so without putting their years at risk.
I have always been a great fan of albums that are cathartic and that you can listen to them together and you can relate to them as a group of people or as friends.
I think it's just amazing to be in a group of women, in a group of people that you can spend enough time with them to really get to know people and be inspired by them and learn something new about them every day.
Do you want to know what scares the Washington cartel? Actually, not remotely. I don't scare them in the tiniest bit. What scares them is you. What scares them is that old Reagan coalition is coming back together, of conservatives.
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