A Quote by Riki Lindhome

The element of surprise - where you think you know where a joke is going, and then you're wrong. Those are my favorite kind of jokes. — © Riki Lindhome
The element of surprise - where you think you know where a joke is going, and then you're wrong. Those are my favorite kind of jokes.
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Hopefully, underlying all my jokes is an element of surprise.
On 'Late Night,' it's like we're all in on the joke. That's what I wanted it to be. I'm not doing something sneaky. Inside jokes, I don't like those. We can all ride together, and everyone's on the same thing going, 'Aha, I know where you're going here.'
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
I love jokes, but God, jokes can go so wrong. I have stayed up many nights thinking, "F**k. I can't believe I made that silly little joke. That was a disaster."
And I watch all the dailies and I grade the jokes or the moments, you know, on a scale from... so I know exactly what we have. And so I can then go into the editing room and be like "I want you to do this moment, this moment, this joke, that joke. I'd like to see 3 versions."
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
You're going to get flak if you tell the wrong joke, but it's still the wrong joke. Give the wrong speech, you take it on the chin.
Twitter is just a great joke laboratory. You go in there and there are so many witty people that I know any joke I make is going to have a response with at least 10 great jokes coming back.
I think its one of the great principles. The element of surprise, I mean, you could take a force that's not nearly as strong and with the element of surprise you could wipe out a much more powerful force.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
Something is mighty wrong with our priorities when professing Christian men joke about their wives, joke about their children, and joke about God, but fight to the death over their favorite sports team.
I'm not good with jokes, no. I don't know a joke at all. I like being told jokes, but I can't tell one myself.
In a weird way, it's not different from any other kind of joke-telling. You make those calculations about jokes about celebrities: is this a fair hit or not? The stakes were higher because the whole world was crumbling around us, but in terms of joke-telling, it's all about feel.
Impressions are still kind of hard for me and not what I love to do the most, but with characters, I think there's an element of fearlessness. You try to figure out the best reading and wording of the jokes before the show, and then you just really have to go hard.
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