A Quote by Riley Keough

A lot of the time, unfortunately for women, there's not a lot of complex roles. I don't mean complex like tortured or whatever. I mean complex like there's more going on with them than, 'I'm a mom.'
I think my relationship with life has changed - I want to make more complex images than before. Complex in the sense that I try to put in a lot of information, sometimes contradictory information.
I see nothing easy in Washington. I see either analytically simple things that are politically complex or those that are politically complex and analytically complex. I mean, look at immigration reform, you know? It is, I think, analytically easy, but politically very, very complex and very difficult.
Complexity has and will maintain a strong fascination for many people. It is true that we live in a complex world and strive to solve inherently complex problems, which often do require complex mechanisms. However, this should not diminish our desire for elegant solutions, which convince by their clarity and effectiveness. Simple, elegant solutions are more effective, but they are harder to find than complex ones, and they require more time, which we too often believe to be unaffordable
I love the character of Jaime Lannister. He's just so complex - a character that we love to hate - but it's a lot more complex than hatred. It starts off, and he seems so arrogant and so smug.
Beware of people preaching simple solutions to complex problems. If the answer was easy someone more intelligent would have thought of it a long time ago - complex problems invariably require complex and difficult solutions.
What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.
I believe that the military-industrial complex is more important than ever. This is because the war in Kosovo gave fresh impetus not to the military-industrial complex but to the military-scientific complex. You can see this in China.
I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
I feel like we want women to be simpler, less complex, so we project a lot of versions of simplicity onto them to fit that.
We're interested in complex characters and he's a complex character, [J. Edgar] Hoover. I like these types of dramas. I've made a few of them and I'm also interested in power structures so it just has elements that fascinate me, and the more you learn about Hoover, the more polarizing you realize he is.
There's so much to learn about acting and performance in general... I mean, acting is a very complex art, and there are a lot more theories and methods and techniques to it than I think anybody would think.
If this seems complex, the reason is because Tao is both simple and complex. It is complex when we try to understand it, and simple when we allow ourselves to experience it.
What is important is that complex systems, richly cross-connected internally, have complex behaviours, and that these behaviours can be goal-seeking in complex patterns.
What popped up more than that was the realization that I made as an adult that the world is this incredibly complex, layered, and mysterious place and if you stop and think about it the human cell is literally more complex than a fleet of 747s.
People have a lot of strange relationships with food. There's a lot more going on there than just, 'Oh, these crullers remind me of my childhood.' We have a darker and more complex relationship to food.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
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