A Quote by Riley Stearns
'Faults,' in a lot of ways, is still is a heightened film, but the end of the day, it's the real world. It's in '86, is the arbitrary date that I've set. And so I went about it in a more realistic way.
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I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
In some ways any film that you do has an artificiality about it. Even when you're doing the most kitchen-sinky, gritty, realistic scene you've still got 50 people standing around watching you with cameras and lights and things.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
It is a lot more difficult to make a typical Bollywood film than a realistic film.
What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.
With TV, you have so much to get done during the day that you don't really have a lot of time to feel your way through it. I know before I walk on the set exactly what I'm going to do. With film you can kind of find your way in it a little more, play with it some.
To me, a revolutionary film is not a film about a revolution. It has a lot more to do with the art form. It's a film that is revolting against the old established language of cinema that had been brainwashing the people for decades. It is a film that is trying to find ways to use sound and image differently.
Valentines Day is being marketed as a Date Movie. I think its more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.
I was really involved with other people's opinions of me, and it got heightened during my film career. I don't have any opinion, good or bad about it, it just was. It's not the way I feel now, and I think yoga has a lot to do with that.
Patti [Smith] was my experiment, to be honest. And the film is what we got out of it. At the end of the day, I learned a lot about how to make a film.
You know, 'Jurassic Park' is a film I always go back to a lot - it's a fantastical world, but I care about all the characters in that situation, and then I think in caring about them, it can make it relatable and help me kind of see this heightened world through, not always familiar eyes, but at least eyes I can understand.
In my heart of hearts, I love theatre. It's the joy and terror of putting a play on, the creativity of it. It is infinitely harder than film and television and more tiring. Your performance is heightened in the way it isn't with film.
The mainstream has lost its way. Crime fiction is an objective, realistic genre because it's about the real world, real bodies really being killed by somebody. And this involves the investigator in trying to understand the society that the person lived in.
We're looking for a certain kind of realism or naturalism, and we go about it in different ways, but I think we're all striving for the same end result, which is to capture the patterns of conversations and how people interact in a very realistic way.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
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