A Quote by Riley Stearns

Sometimes I wonder how my filmmaking would have been affected by film school but in the end I'm glad I got to figure it out on my own. — © Riley Stearns
Sometimes I wonder how my filmmaking would have been affected by film school but in the end I'm glad I got to figure it out on my own.
With filmmaking in general, I have never absorbed the traditional knowledge of film history or filmmaking. It has always been just pick up the camera and go figure it out.
I applied [to film school] figuring, "I need to find some structure for myself. I need to find a way to figure out what kind of filmmaker I want to be." And that is what film school provides you with. It'll teach you the basics of how a production works and the technical side of how to put everything together, but you could also learn that by working on film sets.
But I think half the battle is figuring out what works for you, and I am much better at being a mother than I ever would have been as a lawyer. I sometimes wonder if it is just me, or if there are other women who figure out where they are supposed to be by going nowhere." - My Sister's Keeper
You don't necessarily have to go to film school to be a brilliant film maker. If you are a good listener and you study life, and you find that story that is buried within each and every one of us, and you figure out a way to bring that out. And sometimes it doesn't necessarily mean money or winning the lottery.
After the initial flurry of media interest, I was left to figure out how to move on with my life - and that proved hard. I was glad to get back to what I hoped would be normality, but the effect on me had been traumatising.
Buried is the strangest film I've ever done. I'll be the only person in the movie. So, I'm still trying to figure that out. I have a short but impactful amount of time to figure that out and that's all I'm doing when I get home. I won't bury myself, of course... that would be a sad end! And then the plan is to do Deadpool after that.
I just remember when I came out of film school - and I loved film school - that the industry was such a mystery. How to break in, and once you are in, how to make a film; that is such a large undertaking. There are thousands of pitfalls.
There have been times where, let's say on LGBT issues, when we were trying to end Don't Ask, Don't Tell, and I got the Pentagon and Bob Gates, a Republican holdover from the [George W.] Bush administration, to authorize a study of how you might end Don't Ask, Don't Tell, headed up by Jeh Johnson, who at that time was a council to the Justice Department. And it was going to take a year to conduct that study, issue a report, and figure out how it might be implemented, what effect it would have on unit cohesion and military effectiveness.
Filmmaking is a difficult process. There are the logistics of making a film. You have to do your part, and then change the entire thing around to do someone else's part. A lot of the magic is lost, in between that, and you have to figure out how to get it back.
I have to admit, I sometimes wonder how much more successful I would have been as a coach had it not been for my spending summers on the golf course. I could have watched more film, that's for sure. One advantage Joe Paterno had over me was that he didn't play golf.
You know how it be sometimes: everybody bosses, and they got their own lane going on, they got their own crew, they got their own businesses. And sometimes, you just don't link with people.
I sometimes wonder what it would have been like if I'd got 'Downton Abbey' when I was 22.
I got a sneak peek into the functioning of the film industries of the south through Telugu cinema. This industry has helped me understand how to adapt to various styles of filmmaking. It's been liberating.
Patti [Smith] was my experiment, to be honest. And the film is what we got out of it. At the end of the day, I learned a lot about how to make a film.
I considered going to film school; I took a course in film and was very interested in filmmaking as well as film writing.
There are sayings and mantras that sometimes occur in filmmaking discussions, and one of them is that sometimes filmmaking is an olive branch or a reason or an excuse to be able to reach out and create an encounter with someone.
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