A Quote by Rineke Dijkstra

I am interested in the paradox between identity and uniformity, in the power and vulnerability of each individual and each group. It is in this paradox that I try to visualize by concentrating on poses, attitudes, gestures, and gazes.
There's a paradox in the notion that creativity should be a habit. We think of creativity as a way of keeping everything fresh and new, while habit implies routine and repetition. That paradox intrigues me because it occupies the place where creativity and skill rub up against each other.
Irony is the form of paradox. Paradox is what is good and great at the same time.
It is a paradox that every dictator has climbed to power on the ladder of free speech. Immediately on attaining power each dictator has suppressed all free speech except his own.
As far as possible, Arianne realized, each soul had to be content alone before plunging into love, because one never knew when the other would move out of that love. It was the greatest paradox: Souls need each other, but they also need to not need each other.
When a paradox is widely believed, it is no longer recognized as a paradox.
The word 'paradox' has always had a kind of magic for me, and I think my pictures have a paradoxical quality, a paradox of chaos and order in one.
Even in pure mathematics they can't remove all paradox, and the rest of us should also recognize we are going to have to endure a lot of paradox, like it or not.
My literature is much more the result of a paradox than that of an implacable logic, typical of police novels. The paradox is the tension that exists in my soul.
For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect.
A genius may perhaps be a century ahead of his age and hence stands there as a paradox, but in the end, the race will assimilate what was once a paradox, so it is no longer paradoxical.
In manga, nothing actually moves, and you just have to draw the poses in each panel, but in anime, you have to draw the movements between those poses.
When Pico [Iyer] talks about home being a place of isolation, I think he's right. But it's the paradox. I think that's why I so love Great Salt Lake. Every day when I look out at that lake, I think, "Ah, paradox" - a body of water than no one can drink. It's the liquid lie of the desert. But I think we have those paradoxes within us and certainly the whole idea of home is windswept with paradox.
Every one of the constituent elements of a social group, in a modern city as in a savage tribe, is born immature, helpless, without language, beliefs, ideas, or social standards. Each individual, each unit who is the carrier of the life-experience of his group, in time passes away. Yet the life of the group goes on.
And remember: Everything in business is a paradox. To be excellent, you have to be consistent. When you're consistent, you're vulnerable to attack. Yes, it's a paradox. Now deal with it!
You are not supposed to get it. It's a paradox. All of mathematics is built on paradoxes. That's the biggest paradox of all-all this orderliness, and at the heart, impossibility. Contradiction. Heaven built on the foundations of hell.
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