A Quote by Ringo Starr

My occupation is syncopation. But, every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. — © Ringo Starr
My occupation is syncopation. But, every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to.
Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.
I'd take the syncopation and play swing, and then read the syncopation lines with my left hand.
More or Less Love Poems #11: No babe We'd never Swing together but the syncopation would be something wild
It was disconcerting for the novel to seem so different when I re-read it. Of course we are a different person each time we open a book to read it again; we can never really experience it in the same way, just as we can never step into the same stream twice.
You can never step into the same book twice, because you are different each time you read it.
All syncopation means is accenting beats that you don't normally accent.
In my life and in my career, I really love to play different roles. I never want to play the same role twice.
I have no sense of direction; I never know where I am. When I back up a car, I'm more likely to hit what's behind me than not, because I have no vision for it. I've never been able to play games or play cards because I can't in my head get the next move. I've never been able to balance a checkbook. So there's some brain damage, but it may be that very brain damage that allows me to do the work I do. I've never met a cartoonist who isn't quirky or weird in some ways.
I've had really a great choice of roles that have been very different from one another. And I think I kind of set out to do that when I began my career - to aim to never play the same thing twice.
I never want to play the same character twice. I like to do different roles. I have fun with that.
I hope to incorporate more variety of beats, more syncopation. It becomes very easy to play straight beats; straight rock is alluring.
Every time I make a record, it's a gem with different facets, and every time I like to explore a different side. The core is the same, it never changes, but I try to create a different shape.
I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.
I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
Jazz is improvisation and syncopation, with resilience and flow, with earthy elegance, nuance and subtlety, with the integrity of individual expression within (usually) a group context, with true democracy in action.
Without our familiar props, we are faced with just ourselves, a person we do not know, an unnerving stranger with whom we have been living all the time but we never really wanted to meet. Isn't that why we have tried to fill every moment of time with noise and activity, however boring or trivial, to ensure that we are never left in silence with this stranger on our own?
This site uses cookies to ensure you get the best experience. More info...
Got it!