A Quote by Ringo Starr

I've never had any big ideas about being the solo. — © Ringo Starr
I've never had any big ideas about being the solo.
I'd like to be remembered, as a copywriter who had some big ideas. That's what the advertising business is all about. Big ideas
I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.
Big data will never give you big ideas... Big data doesn't facilitate big leaps of the imagination. It will never conjure up a PC revolution or any kind of paradigm shift. And while it might tell you what to aim for, it can't tell you how to get there
I would urge a young player to listen to Charlie Christians' sense of time ... I'll never forget listening to my father (Bucky Pizzarelli) and Tal Farlow playing Christians' 'Solo Flight' backstage at a gig... that's when it hit me how big of an effect Christian had on jazz guitar. 'Solo Flight' was like the gospel.
I never had any ideas of this industry being a sparkly gift of a job where you go in and become a star.
When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.
Whenever you get involved with talking about rights, you're talking about being a citizen. You're talking about being a citizen in capitalism; you're talking about what rights are granted to what identities, under what laws, and all that is a big mix. Marriage is, among many other things, a formality to channel capital through a family. And that's why the big DOMA lawsuit was about paying too many taxes! "I wouldn't have had to pay all these taxes if Theodora had been Theo" - that was the big tagline. It's all about protecting assets.
I never had any preconceived ideas about acting, because I always thought I was going to be a visual artist.
I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
I never felt I had anything to hide. I never felt being gay was anything to be ashamed of, so I never felt apologetic. I didn't have issues with it, didn't grow up with any religion, so I didn't have any religious, you know, issues to deal with as far as homosexuality is concerned. So, I accepted it very easily. For me, it wasn't that big a deal.
I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.
I never had any big dreams about doing something on a huge scale.
I have never had any great esteem for the generality of the fair sex, and my only consolation for being of that gender has been the assurance it gave me of never being married to any one among them.
There was a period after my first solo album came out that about 50 per cent of my work was with symphonies and big bands. We did the Captain and Tennille as well, but it ended up being about 50-50.
I can honestly say - and it's a big surprise to me - that I have never had a dream about being on the moon.
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