A Quote by Ringo Starr

Every night there's a moment that I just wanna go back to bed. I just get nervous. Then I run on (stage) and as soon as I grab the mic then I'm fine. — © Ringo Starr
Every night there's a moment that I just wanna go back to bed. I just get nervous. Then I run on (stage) and as soon as I grab the mic then I'm fine.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
I'm nervous ahead of every gig. I feel like running away three seconds before I'm due on stage. But I'm all right as soon as I get the mic in my hand.
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
I was quite a shy child. I would get terribly nervous and throw up before my birthday party. And then I would be fine. I feel the same now. I get nervous, then it's fine.
I'm a coffee guy but I don't think I've had a full cup of coffee. I'll grab one and then I'll have a few sips of it then go back to work and it's cold then I'll throw that away and go back later and get another one.
I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.
I always have a ping-pong table in the studio. If you're with an artist and you notice the situation is going south a little bit, it's like, 'You wanna play ping-pong or foosball?' Or, 'You wanna go grab somethin' to eat?' And then you just like talk to them and relax them and get them comfortable and get yourself comfortable.
Bed and Breakfasts are really, really hard to run. You're the first one up and the last one to go to bed. You know, it really tested our strength. We became stronger from it - the whole experience from, you know, learning about it, sort of investing wise - money-wise, business-wise and then just pushing yourself. You know, it takes a lot of work to run a Bed and Breakfast. And then with a brand new baby, it triples.
What we need to do is increase the totality of money that is given to the poorest areas and then we can do more on prevention but we have crucial needs at the moment just to get people out of poverty and to get the eight hundred million people that go to bed at night hungry, give them some food and some hope.
I get nervous before everything - dates, filming, award shows. I just don't want to say something stupid. But as soon as I step out on that stage, or as soon as I show up to a date, it all goes away, and I just have a great time with whoever I'm with.
On draft day, I wasn't really nervous at all. Then you turn on the draft, the first five picks go by, and then you still thinking, 'Oh man, I don't know where I'm going to go.' It's really just, by the time draft hits, that's when you get nervous.
I would not like to live in the past because you don't get anesthetic when you go to the dentist. You don't get antibiotics. You don't get the things that you are used to now, cell phones and televisions and things that are very convenient. You don't want that. But, it would be fun if you could, every now and then, just meet a friend for lunch at Maxim's in Paris in 1900, or go back to 1870 just for a couple of hours, take a walk in the park, and then come right back to Broadway.
When you're walking home at night, do you even get creeped out and even though it's silly and embarrassing you just want to run home?" It seemed too secret and personal to admit to virtual stranger, but I told her, "Yeah, totally." For a moment, she was quiet. Then she grabbed my hand, whispered, "Run run run run run," and took off, pulling me behind her.
It was only when I got to college that I realized that the rest of the world didn't run the way my world was run, and that there was a need for feminism. I'd thought it was all solved. There are people like my mom, clearly everyone is equal and it's all fine. Then I get into the world and I hear the things people are saying. Then I get to Hollywood and hear the very casual, almost insidious misogyny that just runs through so much of the fiction. It was just staggering to me.
When you really deep down look at it, we go to bed every night, get up every morning, stay here for 70 or 80 years, and then we die.
You play with the audience, and they play back with you. They get into it, and then everybody gets into it. I don't want to be like a monkey on stage and just go through the motions because then it wouldn't be fun anymore. I just pay attention to the audience and appreciate the fact that somebody wants to see us. That gets me psyched.
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