A Quote by Ringo Starr
I was in George Martin's studio in Amsterdam and he was telling me, 'They come in here and it takes them three days to do a bass line.' Well I'm not from that era.
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Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
Whenever there's a red carpet event coming up my trainer in LA that I see, I always come to her like three days before and go, 'Can you make me really thin in three days?' She's always like, 'If you come to me consistently all throughout the year, then yes I can. When you come to me with three days and ask to lose 10 pounds it's just not going to happen.' I'm like, 'Do your best. Please. Make me skinny.'
Often, very often, I am alone. My studio in Amsterdam, (Beckmann lived in the center of Amsterdam during World War 2.) an enormous old tobacco storeroom is again filled in my imagination with figures from the old days and from the new, like an ocean moved by storm and sun and always present in my thoughts. Then shapes become beings and seem comprehensible to me in the great void and uncertainty of the space which I call god.
Wine makes all things possible. GEORGE R. R. MARTIN, The Mystery Knight A cold wind was blowing from the north, and it made the trees rustle like living things. GEORGE R. R. MARTIN, A Game of Thrones Nothing burns like the cold. GEORGE R. R. MARTIN, A Game of Thrones Laughter is poison to fear.
I deliberate over the lyrics; I really do. I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. It's never been easy for me.
The first thing I do when I come to work, I say hello to my dogs and give them one biscuit each. The butler takes them out to the park and drops them off at the office, so they are there waiting for me. They are very popular in the studio. They play all the time. They run around, up and down, left and right.
When you're a well-known fashion photographer, modeling agencies call constantly. They'll say, This great girl is in town for three days. She's excellent, she's exciting. You've got to see her... So I decided to really have a look at them. I opened up my studio and said, Send anyone... And I became quite addicted to the whole thing. I was curious to see how many girls would come. I couldn't believe that there really were so many around.
We've been given this great gift, this huge canvas of these beautiful books by George Martin, and the idea of telling this whole epic through to the end is incredibly compelling.
I always have days off before and after I go to the studio. That's really important for me that I know that I have days off after, 'cause then I can give my everything when I'm in the studio. I love being in the studio and being able to think, 'Okay, I'm not doing anything tomorrow.'
My father was born in Amsterdam in a highly religious family. He was in Amsterdam, and he went into hiding right near where Anne Frank was. He was a theoretical physicist and the last Jew to get a Ph.D. in Amsterdam.
I used to be a session musician before I was a wrestler. I played bass guitar. I was big pals with Lars Ulrich, and he asked me if I wanted to play bass with Metallica in their early days, but it didn’t work out.
The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.
The big studio era is from the coming of sound until 1950, until I came in ... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.
A little voice keeps telling me an Aston Martin really isn't me, but a louder voice is telling me that, as an England international playing for Liverpool, the old rules no longer apply.
I was playing with George Harrison one time, and George loves takes. This song was up to Take 160. I said, 'George, do you want me to play the same thing or 160 different things?' It drove me crazy because, in general, I'm ready to play my part.
I have to admit that I haven't read any of the books [of George Martin's "Game of Thrones"] and I don't refer to them. Apart from anything else they're very thick [in size] and they frighten me. A terrifying prospect.
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