A Quote by Ringo Starr

I'd like to end up sort of unforgettable. — © Ringo Starr
I'd like to end up sort of unforgettable.
Unforgettable, that's what you are Unforgettable though near or far Like a song of love that clings to me How the thought of you does things to me Never before has someone been more Unforgettable in every way And forever more, that's how you'll stay That's why, darling, it's incredible That someone so unforgettable Thinks that I am unforgettable too
I'd like to end up sort ofunforgettable.
When you grew up like me and my four brothers, you end up feeling somewhat inadequate, like somehow you don't count. I was very ill as a child and in and out of hospital. That sort of alienates you, and in my songs I put that to good use.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
Enlightened teachers get all sorts of assignments. Sometimes we end up in the higher astral; sometimes we end up in the realm of pure spirit; sometimes we end up in the desire realms. Sometimes we go down to the lower astral to teach, you don't really teach there, you just sort of are, because everybody is confused.
When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
You'll work hard to create characters that are compelling and unforgettable. But in the end, it's the story that matters.
One of the tricky things about sort of larger, comic-book action movies is that the scale is so big that they have to save the world at the end of every movie, and so at the end of each of the films, either Chicago or New York end up getting obliterated.
I love romantic comedies. I love romantic movies. I'm kind of a sucker for them, and, sort of end up crying at the end of them all, like a child.
I like generals. I think generals are terrific. You know, they go through schools and sort of end up at the top of the pyramid. And it's like a test.
Characters in a book are very much like personalities divvied up within a family. In the end, it all averages out to a sort of overall averageness.
I didn't grow up with my mother, and so losing her for real was like, some sort of latent childhood, some sort of unresolved issue. When she left for real, it was sort of like, I was done.
What keeps my flame burning is, first, I'm ornery and persistent. I don't like giving up on things and I believe in my band and I just happen to have the sort of personality that really likes to see things to the bitter end. The second reason is the incredible people I've been fortunate to meet as a result of pursuing this insane, money-hemorrhaging enterprise. Literally every time I release a well-reviewed, poor-selling record, the net result is that I end up meeting more kind, like-minded, creative and brilliant people. That's really all the reward I need.
When you see something special, something inspired, you realise the debt we owe great curators and their unforgettable shows - literally unforgettable because you remember every picture, every wall and every juxtaposition.
I feel like a lot of girl characters in anything usually end up being either extremely tough or extremely ditzy. There's always some sort of extreme personality trait that they have. I like to try writing girls that feel like normal people, like normal women that you'd meet in real life.
I've sort of realized there's a definite pattern to my output at this point: there's an album that everybody sort of loves, that's a real balance between the old and new, like The Dreamer or No Beginning No End, like a blend of jazz and hip-hop, or r&b and soul and hip-hop.
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