A Quote by Rio Ferdinand
In some ways, I was a little bit surprised [by how dominant we were] but then I look at the players in our changing room and it doesn't surprise me because we've got quality in there. If we click and play well like we did in the first half, we can open up any team.
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I was a bit nervous when I first entered the Indian dressing room. Some of the players sitting out there had 10 years of experience and were sitting in front of me. But then Virat Kohli and Ravi Shastri told me that there are no seniors or juniors in the team. So I could open up to them easily and irritate them with my questions.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"
If the opposition puts two or three players on me, it means that some of our other players are free. If I can play like that, then it is better for the team.
It's great for the little girls coming through the system now to have women to look up to because, when I was younger, my role models were more, like, Michael Owen and players from the men's team, but I get kids messaging me now saying they look up to me, and that's really touching for me, but it's great for the kids to have people to look up to.
When I did 'Scrubs', we were able to always do one as scripted, and then we got to play a little bit and do some stuff. I thought that was pretty loose, but then coming on 'Happy Endings,' it's even looser.
We knew we were doing something that would make an impact, because of Francis [Ford Coppola], but I don't think we were surprised by how well the movie [The Outsiders] did, but I think we would all say we were surprised at how well we all did coming out of it.
When I wasn't in the Wales first team, I was always with the under-19s and under-21s and the coaches were always big on keeping the pathway open for us younger players to make our way up to the first team.
I look at how we got beat and I thought the hustle points and the energy points were all gauged through offensive rebounds. I thought in the second half they got so many second-chance opportunities they could really run. It just seemed like they were going up our guys' backs. When you don't get any offensive rebounds and they start going the other team's way, it's almost like a snowball effect.
You've got to be extremely careful, because you could be with a great team, and you could be the product of a great team. There are some players that stand out despite the teams that they play on, and there are some players that are good because of the team that they're with.
If we do the build-up so well, it's because our players always offer me different options to pass the ball, so that makes it easier. With calm and with quality on the pass, it always works out. Of course, you need to have the courage and be very cool to play that way, because any mistake can end up in a goal conceded.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
Letting go of its good players, like Özil, the ones who know how to play football – that did surprise me.
You get a team that goes out there and they find a little bit of something that advantage is going to seem larger then it is if the rules were not as tight because it's harder for other people to find whatever that advantage may be. I'm not saying points leader Tony Stewart has a huge advantage. What they've got is that they are hitting everything exactly right. When they have everything working just right, that's how it shows to be dominant.
The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!
That first movie I did, Lucas [1986], was probably the closest to me. And Beetlejuice a little bit, in the sense that I did look like that. All they did was like put a little white powder here.
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