A Quote by Rirkrit Tiravanija
For me, when I have the opportunity to exhibit abroad, I feel that the public understands some points I have raised and are open-minded and make an effort to understand my work, but there are still certain things that remain inaccessible.
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I was raised in an open-minded home. I was raised a Christian, but I was raised open-minded Christian - one to accept people, love people, not pass judgment.
In general, I just try to make the people that I'm shooting feel like they are in good hands. I'm open-minded, and I invite them to be open-minded to the process. I'm direct and curious.
The things that make me angry still make me angry. George Carlin is 67, and he's still as funny as he's ever been, and he's still angry. And that makes me feel good, because I feel like if I stick around long enough, I'll still be able to work.
Be kind. It's worthwhile to make an effort to learn about other people and figure out what you might have in common with them. If you allow yourself to be somewhat curious - and if you get into the habit of doing that - it's the first step to being open minded and realizing that your points of view aren't totally opposite.
You can still achieve certain things through effort, struggle, determination, and sheer hard work or cunning. But there is no joy in such endeavor, and it invariably ends in some form of suffering.
I'm a New Yorker. I'm liberal and open-minded. Things don't really shock me. But I was reading the second-act today and thinking that if you're religious, you could be. But you shouldn't be! You can be extremely religious and have your faith and still be open-minded to art. Because this is art. That's part of the excitement. It literally is "The Jerry Springer Show" on-stage set to beautiful operatic music. That's what's so incredible about it!
For me it's a dedication to your real interests. It's an ability to be open-minded. Without an open-minded mind, you can never be a great success. The great artists have been open-minded, even though they may seem, like Picasso, to be very directed, you can be directed and open-minded at the same time. I think you have to be really intensely serious about your work, but not so serious that you can't see the lightness that may also involve your life. You have to have that lightness too. You have to not be so heavy-handed and so ostentatious. It's very important not to be.
Music to me, still to this day, is this wide open landscape of potential sounds (and I have more words for it now as a grown person), but as a little kid I used to think, "oh, you can just make up melodies and sometimes when you make certain melodies it makes you feel a certain way."
It's fantastic to have the opportunity to work abroad, and do all that, but there is a certain point where you're just like, 'Oh, I'd love to work at home.'
I'm doing things that feel good to my soul. I've had plenty opportunity to do other things, but it didn't feel right, and it wasn't right. And if it feels like work, then it's work. But if you have that opportunity to do what you love, and you can make a living out of it, then that's a blessing and I never take that for granted.
I do make some conscious efforts to write female friendships, intergenerational female friendships. I make a conscious effort to include things that I see as important real parts of my life that are not reflected as much as I think they should be in popular culture. We very seldom have the opportunity to see women compete and remain friends.
I understand that wrestling now has changed as opposed to what it was when I worked, but I still think you can apply some of the things that I talk about and just put your 2018 twist on it and still make it work.
There are certain jobs I don't take because I feel no connection to the person. But if somebody is open with me, and honest about their motivations, and has some level of self-awareness, then I'm going to understand them.
While the creative works from the 16th century can still be accessed and used by others, the data in some software programs from the 1990s is already inaccessible. Once a company that produces a certain product goes out of business, it has no simple way to uncover how its product encoded data. The code is thus lost, and the software is inaccessible. Knowledge has been destroyed.
I understand there are inevitable things that we have to go through: heartbreak, family problems. I don't feel like some Quixotic idiot who says, 'We don't have to feel pain.' No! Let's feel it, let's make it work for ourselves. But I want us all to be able to get past it.
Writing can be bad and still be part of something good. That 'art' is really 'artifact,' Exhibit A, Exhibit B, of something else: a person's whole experience and life. And that always there's the chance that this will fail. That things will not work out.
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