A Quote by Rirkrit Tiravanija

My starting point was the search for my identity in foreign places, in places where I am estranged from myself. — © Rirkrit Tiravanija
My starting point was the search for my identity in foreign places, in places where I am estranged from myself.
Some travelers think they want to go to foreign places but are dismayed when the places turn out actually to be foreign.
I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.
Libraries are not just places where people go read a book, but places where an immigrant goes to take English lessons and where folks out of a job search for community.
The search for happiness is unlike any other search, for we search last in the likeliest places.
There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
There's going to be some places where you're treated with respect and dignity and some places where you'd have to be a fool to live, .. So, there will be places where people can get their hair done well and places where they can't.
From the point of view of basic physics, the most interesting phenomena are, of course, in the new places, the places where the rules do not work - not the places where they do work! That is the way in which we discover new rules.
From a social point of view, it's beneficial that homeownership encourages commitment to a given town or city. But, from an economic point of view, it's good for people to be able to leave places where there's less work and move to places where there's more.
Bars are meeting places and places to unwind. But at some point, what is culture unwinding from, and why can't they meet anywhere else?
For me, places are articulations of 'natural' and social relations, relations that are not fully contained within the place itself. So, first, places are not closed or bounded - which, politically, lays the ground for critiques of exclusivity. Second, places are not 'given' - they are always in open-ended process. They are in that sense 'events'. Third, they and their identity will always be contested (we could almost talk about local-level struggles for hegemony).
Lonely Places, then are the places that are not on international wavelengths, do not know how to carry themselves, are lost when it comes to visitors. They are shy, defensive, curious places; places that do not know how they are supposed to behave.
I am drawn to cold, desolate places rather than Hawaii. I actually love Hawaii too, but I tend to go to Iceland or Norway or Northern Japan - northern places for whatever reason. Which aren't necessarily the best places to tour.
But between sets I'd sneak over to the black places to hear blues musicians. It got to the point where I was making my living at white clubs and having my fun at the other places.
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed - for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you.
The places where I have the nameless character in 'My Name Is Legion' meet his boss are real places I've been to. That works well for tax purposes, writing into my stories the places I've actually visited.
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