A Quote by Rirkrit Tiravanija
I guess I've always been quite interested in the Situationists' ideas about urbanism and spectacle and how we move through life.
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The Bible has been through millions of rounds of exegesis and interpretation, but it hasn't been until quite recently that it's been taken as the absolute truth, to the point where people expect it to inform ideas about biology and life on this planet.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
Look, if the Situationists achieved what they wanted, they would be very unhappy and they would have to be Situationists all over again. It's a never-ending process.
Charlie Chaplin, too, through spectacle, contraband certain ideas, put them through, ideas that even today are not being expressed by great statesmen and politicians.
I'm often asked how I portray the roles I play so convincingly and express so much through my eyes. Quite frankly, I don't know how to explain that. I guess it's about who I'm as a person; I radiate it through my eyes.
I've never been interested in diarising my life through song. So much stuff has been done before. So many people have brilliantly articulated the pain of heartbreak or the joy of love or whatever. Those elements exist in our music, but I guess I strive to write about unconventional things instead.
I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.
We ought to be able to talk about ideas, we ought to be able to debate ideas because that's how you get to consensus and that's how you move this country forward and that's how you move this state forward. We do a better job of it in Iowa. We do.
I've always been interested in people who think out of their time, and I have this passion, actually, for science. I'm just so enormously interested in how, when you think of these revolutionary ideas, other people get threatened, especially if you are different.
Cinema through spectacle, through the entertainment of spectacle, tells the story of many actual problems in life. Because who ever doesn't want to read between the lines can just enjoy the entertainment and the show and can go home happy.
It's like I was always not quite sure even how to move in space somehow; I would watch people and then copy them. I found it really hard to walk straight. My brother was always on at me for walking off the pavement. I guess I always expected people to bring me back into line.
The thing that has always interested me - amidst the scale, the historical spectacle, or the social significance or the political resonance - has been the relationships.
It's always nice to know people are watching and having their own ideas about things and it's nice when your audience starts trying to guess what's going to happen, it means they're really interested.
Because you have very limited time and you have to be very judicious and wise about how you spend it. But otherwise, I've always been - ever since I was a kid, I've always been coming up with ideas. So I'm able to come up with crazy ideas twice for two collections! It's fun.
I've always been interested in the news, but I've always been interested in what's popular. I've always had a little bit of a populist take on things. Which I know is interesting when you talk about Donald Trump.
I guess I'm curious about how people process grief and how they process loss. And I'm also interested in the ways in which an event can have long-reaching consequences and a life over the course of years.
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