A Quote by Rishi Kapoor

It was a stroke of luck when I worked in 'Agneepath.' It was a great role, something different for me. — © Rishi Kapoor
It was a stroke of luck when I worked in 'Agneepath.' It was a great role, something different for me.
Many stroke survivors look back on their attack as a stroke of luck. Of course, by luck they mean horrible paralysis.
Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance.
Whether I am performing for an elite crowd or a crowd of 20,000 people - the moment someone asks for 'Agneepath,' and I respond 'Agneepath' chahiye?' the noise in the crowd, shows that this song has become huge.
The film kept me from working as a secretary. It was a real stroke of luck. A miracle.
Luck? I don't know anything about luck. I've never banked on it and I'm afraid of people who do. Luck to me is something else: Hard work - and realizing what is opportunity and what isn't.
Every role presents a new opportunity for me to do something different and to explore something different.
I remember my agent at the time called me and was like, "I've got it! I've found it! I've found your role!" I worked my ass off to get that role, because I think me and three or four other girls tested for it. But it was a great time.
All of us are already civilian soldiers, without knowing it...The great stroke of luck for the military class's terrorism is that no one recognizes it. People don't recognize the militarized part of their identity, of their consciousness.
I had a stroke in 1985... I called it a "stroke of luck." I said, "Life is like a train trip. You're looking out the window and everything is whipping past and you're not really seeing anything, and you need to get off the train and walk around a bit."
It takes a lot of things to work together in order to be wealthy but with a little luck, a lot of luck... You've got to be good at something. For a 20-year-old, you don't have to know exactly what you want to do, you've just got to go find something you can be great at, and then go be great at it.
Everybody has done something about Marco Polo. It's the tiredest, most trite and worked-over subject in the world, and that was why it appealed to me, because I wanted to do something really new and different about something that had been worked over all these centuries, and I think I did.
Instruction for life: Take into account that great love and great achievements involve great risk. When you lose, don't lose the lesson. Follow the three R's: - Respect for self. - Respect for others. - Responsibility for all your actions. Remember that not getting what you want is sometimes a wonderful stroke of luck. Learn the rules so you know how to break them properly.
I must have just dreamed that about Liverpool playing 3-4-3. What do people think that was, a bit of luck? A British coach playing 3-4-3? A foreign coach doing that would be a tactical genius. I imagine people think I fell into that system through a stroke of luck or something... it took some thought. I didn't just throw them out there.
That experience of touching down in a totally foreign place is like having a blank canvas: You begin with nothing, but stroke by stroke you build a life. This process requires everything great art requires-risk-tasking, hope, a great deal of imagination, all the qualities that are the building blocks of art. You must be able to dream something nearly impossible and toil to bring it into existence.
I've had great luck with directors. I've worked with all the great ones.
I have a luck cat in my arms, it spins threads of luck. Luck cat, luck cat, make for me three things: make for me a golden ring, to tell me that I am lucky; make for me a mirror to tell me that I am beautiful; make for me a fan to waft away my cumbersome thoughts. Luck cat, luck cat, spin for me some news of my future!
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