I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.
I'm pretty much an open book.
My life is pretty much an open book.
I feel like my life is pretty much on display. So much of it is working, and that's really all I want to do. I'm an open book.
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
"The Diagnosis" is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
I'm a pretty open book.
I'm pretty much an open book. I am a fanatic golfer and golf nut. If I have three free hours any day, my first choice is to run to the golf course if the weather is nice.
I am an open book, literally. I don't mind if people know way too much about me.
'Allegiance' is pretty much a book musical. You know, people talk and then they burst out into song.
There's no one aspect of my life that is more hidden than others. I mean, everything is pretty much an open book in every regard: relationships, personal, business, music, family, problems, demons, everything is well documented.
I was raised pretty much a fundamentalist, but the one thing that fundamentalism gave to me was the love for that book and a commitment to read and study it. The difficulty is that I've read it all, I didn't skip around, I read it all, and when you read it all, you can't take it literally because you don't want to blame God for a lot of stuff that occurs in that book. There are some pretty violent scenes.
Unfortunately, the author of a book pretty much gives up control of the story when the producers take over a book to make it into a movie.
As a reader I feel included a lot in Julie Carr’s hard and beautiful book. I can pretty much hear its author speak—a whispering that enables us into its world . . . a masterfully sutured journey, painfully useful. Sarah—Of Fragments and Lines is a book I know I will return to. And urge it on my friends who have lives too and write in them.
The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.
We're a pretty open-book family; we kind of lead with our hearts. There's nothing to hide.