A Quote by Rita Coolidge

It seems that jazz is more cerebral and more mathematical in a sense. — © Rita Coolidge
It seems that jazz is more cerebral and more mathematical in a sense.
Not only in geometry, but to a still more astonishing degree in physics, has it become more and more evident that as soon as we have succeeded in unraveling fully the natural laws which govern reality, we find them to be expressible by mathematical relations of surprising simplicity and architectonic perfection. It seems to me to be one of the chief objects of mathematical instruction to develop the faculty of perceiving this simplicity and harmony.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
The emphasis on mathematical methods seems to be shifted more towards combinatorics and set theory - and away from the algorithm of differential equations which dominates mathematical physics.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
One interesting thing about jazz, or art in general, but jazz especially is such an individual art form in the sense that improvisation is such a big part of it, so it feels like it should be less soldiers in an army and more like free spirits melding. And yet, big band jazz has a real military side to it.
What strikes the historian surveying anti-Semitism worldwide over more than two millennia is its fundamental irrationality. It seems to make no sense, any more than malaria or meningitis makes sense.
Nature seems to take advantage of the simple mathematical representations of the symmetry laws. When one pauses to consider the elegance and the beautiful perfection of the mathematical reasoning involved and contrast it with the complex and far-reaching physical consequences, a deep sense of respect for the power of the symmetry laws never fails to develop.
Mathematical demonstrations being built upon the impregnable Foundations of Geometry and Arithmetick are the only truths that can sink into the Mind of Man, void of all Uncertainty; and all other Discourses participate more or less of Truth according as their Subjects are more or less capable of Mathematical Demonstration.
I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.
We feel certain that the extraterrestrial message is a mathematical code of some kind. Probably a number code. Mathematics is the one language we might conceivably have in common with other forms of intelligent life in the universe. As I understand it, there is no reality more independent of our perception and more true to itself than mathematical reality.
Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.
The more that you travel the more you get the sense of the word as a larger place and the more you get a sense of the variety of history and mythology. And when you know about these things you can incorporate them into what I feel is a more rich and more large tapestry of fantasy.
It seems almost backwards to me that my music seems the more emotional outlet, and the art stuff seems more about ideas.
When you have different kinds of scientific and mathematical minds approaching problems, you will get more solutions. This leads to more innovation and more creative design.
Improvisation in the jazz sense - like the business sense - is not formless. It is built on a skill set. Jazz, for example, involves selecting a tune.
I feel like Europe is way more advanced. They're way more open to the definition of jazz. More cool. They're like, 'You want to do that? Awesome. You want to work with a rapper? Awesome.' They're not, 'Aah, it's not real jazz.'
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