A Quote by Rita Dove

Poetry of all the forms of literature I think is the most suited for the digital age and for the shorter attention spans and all of that. It Twitters very easily, some lyric poems and it's very easy to zip a poem to someone, so that's one of the things I think is wonderful about poetry in the digital age.
Historically, there are hierarchies of purity. Certain aspects of poetry are very, very pure. The lyric poem can't be anything but the lyric poem.
An aphorism is a synthesis of poetry and prose, it is a narrative precipitate, a didactic parable, an ideological concept, in practice it 's compressed and zipped philosophy . It is literature that adapts itself to the digital age.
People over the age of thirty were born before the digital revolution really started. We've learned to use digital technology-laptops, cameras, personal digital assistants, the Internet-as adults, and it has been something like learning a foreign language. Most of us are okay, and some are even expert. We do e-mails and PowerPoint, surf the Internet, and feel we're at the cutting edge. But compared to most people under thirty and certainly under twenty, we are fumbling amateurs. People of that age were born after the digital revolution began. They learned to speak digital as a mother tongue.
I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet.
Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.
This idea about cheerful thinking, a digital platform for people to present their ideas, organise events around the country - that is what I am focused on building: a digital think-tank for the modern age that can help show people things can be better; the world can be different.
I think that the casual reader and the lyric and confession are trickily tied up together. I mean often when I read my students' poems my first impulse is to say, "O, the subject of this pronoun, this 'I,' is whatever kid wrote this poem." The audience for lyric poems is "confessionalized" to some extent. And I think this audience tends to find long narrative poems, for instance, kind of bewildering.
Diplomacy has always involved dinners with ruling elites, backroom deals and clandestine meetings. Now, in the digital age, the reports of all those parties and patrician chats can be collected in one enormous database. And once collected in digital form, it becomes very easy for them to be shared.
The judges who awarded the 1980 Commonwealth Poetry Prize to my first collection of poems, Crossing the Peninsula and Other Poems, cited with approval and with no apparent conscious irony my early poem, "No Alarms." The poem was composed probably sometime in 1974 or 1975, and it complained about the impossibility of writing poetry - of being a poet - under the conditions in which I was living then.
I think digital. I think digital and I was terrified about it for a long time. But I think digital because it gives so much more freedom to work with the actors.
I never think about my age very much. I've always lived my life the same way, full of excitement and anticipation of wonderful things and the knowledge that some not-so-wonderful things come with it.
We live in the digital age and, unfortunately, it’s degrading our music, not improving it It’s not that digital is bad or inferior, it’s that the way it’s being used isn’t doing justice to the art. The MP3 only has 5 percent of the data present in the original recording. … The convenience of the digital age has forced people to choose between quality and convenience, but they shouldn’t have to make that choice.
We may think we live in a digital age. But there are some things technology will never replace.
There is a wonderful Hungarian literature, especially in lyric poetry.
... mathematics is very much like poetry ... what makes a good poem -- a great poem -- is that there is a large amount of thought expressed in very few words. In this sense formulas like or are poems.
I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.
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